Landscapes of London: The City, the Country, and the Suburbs, 1660-1840, by Elizabeth McKellar
2014
Archival
2
Learning to Draw: Studies in the Cultural History of a Polite and Useful Art, Ann Bermingham
2000
Archival
3
Paul Mellon Centre for Studies in British Art
Early Georgian Interiors, by John Cornforth
2005
Archival
4
Church Monuments in Romantic England / Nicholas Penny
1977
Archival
5
Paul Mellon Centre for Studies in British Art
Churches in Early Medieval Ireland: Architecture, Ritual, and Memory, by Tomás Ó Carragáin
2011
Archival
6
Paul Mellon Centre for Studies in British Art
Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales, by Tarnya Cooper
2012
Archival
7
Paul Mellon Centre for Studies in British Art
City of Gold and Mud: Painting Victorian London, by Nancy Rose Marshall
2012
Archival
8
Classical Architecture in Britain: the Heroic Age / Giles Worsley
1995
Archival
9
Paul Mellon Centre for Studies in British Art
John Everett Millais: Beyond the Pre-Raphaelite Brotherhood, ed. Debra N Mancoff
2001
Archival
10
John Loughborough Pearson / by Anthony Quiney
1979
Archival
11
Paul Mellon Centre for Studies in British Art
Carscapes: the Motor Car, Architecture and Landscape in England, by Kathryn A Morrison and John Minnis
2012
Archival
12
Paul Mellon Centre for Studies in British Art
Catalogue of Portraits in the Collection of the Earl of Clarendon, by Robin Gibson
1977
Archival
13
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Figures and Landscapes, 1874-1882: Complete Paintings v. 4, by Richard Ormond and Elaine Kilmurray
2006
Archival
14
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Figures and Landscapes, 1883-1899: complete paintings, v. 5, by Richard Ormond and Elaine Kilmurray
2010
Archival
15
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Figures and Landscapes, 1900-1907: complete paintings, v. 7, by Richard Ormond and Elaine Kilmurray
2012
Archival
16
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Portraits of the 1890s: complete paintings vol. 2, by Richard Ormond and Elaine Kilmurray
2002
Archival
17
Paul Mellon Centre for Studies in British Art
John Singer Sargent: The Early Portraits, by Richard Ormond and Elaine Kilmurray
1998
Archival
18
Paul Mellon Centre for Studies in British Art
John Singer Sargent: The Later Portraits: complete paintings vol .3, by Richard Ormond and Elaine Kilmurray
2003
Archival
19
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Venetian Figures and Landscapes, 1898-1913: complete paintings, v. 6, by Richard Ormond and Elaine Kilmurray
2009
Archival
20
Paul Mellon Centre for Studies in British Art
John Talman: an Early-Eighteenth-Century Connoisseur, by Cinzia Maria Sicca
2009
Archival
21
Paul Mellon Centre for Studies in British Art
Jonathan Richardson, by Carol Gibson-Wood
2000
Archival
22
Karl Friedrich Schinkel: 'The English Journey': Journal of a Visit to France and Britain in 1826 / edited by David Bindman and Gottfried Riemann ; translated by F. Gayna Walls
1993
Archival
23
Paul Mellon Centre for Studies in British Art
John Brett: Pre-Raphaelite Landscape Painter, by Christiana Payne and Charles Brett
2010
Archival
24
Paul Mellon Centre for Studies in British Art
Johan Zoffany, 1733-1810, by Mary Webster
2011
Archival
25
Paul Mellon Centre for Studies in British Art
Decorating the 'Godly' Household: Religious Art in Post-Reformation Britain, by Tara Hamling
2011
Archival
26
Paul Mellon Centre for Studies in British Art
After Sir Joshua: Essays on British Art and Cultural History, by Richard Wendorf
2005
Archival
27
Paul Mellon Centre for Studies in British Art
Albion's Classicism: The Visual Arts in Britain, 1550-1660, ed. Lucy Gent
1996
Archival
28
Paul Mellon Centre for Studies in British Art
Alfred Gilbert, by Richard Dorment
1985
Archival
29
Paul Mellon Centre for Studies in British Art
Allan Ramsay: Painter, Essayist and Man of the Enlightenment, by Alastair Smart
1992
Archival
30
Paul Mellon Centre for Studies in British Art
Building the Bank of England: Money, Architecture, Society, 1694-1942, by Daniel Michael Abramson
2005
Archival
31
Paul Mellon Centre for Studies in British Art
Building the Georgian City, by James Ayres
1998
Archival
32
Paul Mellon Centre for Studies in British Art
C.R.W. Nevinson: The Cult of Violence, by Michael J K Walsh
2002
Archival
33
Edward Norgate: Miniatura or the Art of Limning / edited, introduced and annotated by Jeffery M. Muller and Jim Murrell
1997
Archival
34
Paul Mellon Centre for Studies in British Art
Elizabethan Architecture: Its Rise and Fall, 1540-1640, by Mark Girouard
2009
Archival
35
Paul Mellon Centre for Studies in British Art
Essays in English Architectural History, by Howard Montagu Colvin
1999
Archival
36
Paul Mellon Centre for Studies in British Art
Exhibiting Englishness: John Boydell's Shakespeare Gallery and the Formation of a National Aesthetics, by Rosie Dias
2013
Archival
37
Paul Mellon Centre for Studies in British Art
Copper into Gold: Prints by John Raphael Smith, by Ellen Gates D'Oench
1999
Archival
38
Paul Mellon Centre for Studies in British Art
Empire to Nation: Art, History, and the Visualization of Maritime Britain 1768-1829, by Geoff Quilley
2011
Archival
39
Paul Mellon Centre for Studies in British Art
English Art and Modernism, 1900-1939, by Charles Harrison
1994
Archival
40
Paul Mellon Centre for Studies in British Art
English Drawings and Watercolors 1550-1850, by Pierpont Morgan Library
1972
Archival
41
English Print, 1688-1802 (The) / Timothy Clayton
1966 2018
Archival
42
Paul Mellon Centre for Studies in British Art
English Shops and Shopping, by Kathryn A Morrison
2004
Archival
43
English Vernacular Furniture, 1750-1900 / Christoper Gilbert
1991
Archival
44
Paul Mellon Centre for Studies in British Art
Bacon and Sutherland, by Martin Hammer
2005
Archival
45
Paul Mellon Centre for Studies in British Art
Becket's Crown: Art and Imagination in Gothic England, 1170-1300, by Paul Binski
2005
Archival
46
Paul Mellon Centre for Studies in British Art
Bernard Leach: Life and Work, by Emmanuel Cooper
2003
Archival
47
Paul Mellon Centre for Studies in British Art
Blake Records: Documents, 1714-1841, Concerning the Life of William Blake, 1757-1827, by Gerald Eades Bentley
2004
Archival
48
Paul Mellon Centre for Studies in British Art
Body Doubles: Sculpture in Britain, 1877-1905, by David J. Getsy
2004
Archival
49
Paul Mellon Centre for Studies in British Art
Bodybuilding: Reforming Masculinities in British Art, 1750-1810, by Martin Myrone
2006
Archival
50
Paul Mellon Centre for Studies in British Art
Henry VIII and the Art of Majesty: Tapestries at the Tudor Court, by Thomas P Campbell
2007
Archival
51
Paul Mellon Centre for Studies in British Art
Fashion and Fiction: Dress in Art and Literature in Stuart England, by Aileen Riberio
2006
Archival
52
Paul Mellon Centre for Studies in British Art
Ford Madox Brown: A Catalogue Raisonné (2 vol), by Mary Bennett
2010
Archival
53
Frances Danby: Varieties of Poetic Landscape, Eric Adams
1973
Archival
54
Paul Mellon Centre for Studies in British Art
Frederic Leighton: Antiquity, Renaissance, Modernity, by Tim Barringer and Elizabeth Prettejohn
1999
Archival
55
Paul Mellon Centre for Studies in British Art
Holbein and England, by Susan Foister
2005
Archival
56
Holbein and Henry VIII, Roy Strong
1967
Archival
57
Houses of Parliament (The) / edited by M. H. Port
1976
Archival
58
Paul Mellon Centre for Studies in British Art
Houses of the Gentry 1480-1680, by Nicholas Cooper
1999
Archival
59
Paul Mellon Centre for Studies in British Art
Humphry Repton: Landscape Gardening and the Geography of Georgian England, by Stephen Daniels
1999
Archival
60
Paul Mellon Centre for Studies in British Art
French Art in Nineteenth Century Britain, by Edward Morris
2005
Archival
61
Paul Mellon Centre for Studies in British Art
From Still Life to the Screen: Print Culture, Display, and the Materiality of the Image in Eighteenth-Century London, by Joseph Monteyne
2013
Archival
62
Paul Mellon Centre for Studies in British Art
From William Morris: Building Conservation and the Arts and Crafts Cult of Authenticity, 1877-1939, by Chris Miele
2005
Archival
63
Paul Mellon Centre for Studies in British Art
G F Watts: the Last Great Victorian, by Veronica Franklin Gould
2004
Archival
64
Gainsborough as Printmaker / John Hayes
1972 ; c1971
Archival
65
Paul Mellon Centre for Studies in British Art
Gainsborough in Bath, by Susan Sloman
2002
Archival
66
Paul Mellon Centre for Studies in British Art
Gender, Taste and Material Culture in Britain and Northern America, 1700-1830, ed. John Styles and Amanda Vickery
2007
Archival
67
George Shaw; A Corner of a Foreign Field, edited by Mark Hallett, 2018
1966 2018
Archival
68
Paul Mellon Centre for Studies in British Art
George Stubbs, Painter: Catalouge Raisonné, by Judy Egerton
2007
Archival
69
Paul Mellon Centre for Studies in British Art
Georgian London, by John Summerson and Howard Montagu Colvin
2003
Archival
70
German Romanticism and English Art by William Vaughan
1979
Archival
71
Paul Mellon Centre for Studies in British Art
Gothic Art in Ireland, 1169-1550: Enduring Vitality, by Colum Hourihane
2003
Archival
72
Paul Mellon Centre for Studies in British Art
Imperial Gothic: Religious Architecture and High Anglican Culture in the British Empire: 1840-1870, by G. A. Bremner
2013
Archival
73
Paul Mellon Centre for Studies in British Art
Imperial Landscapes: Britain's Global Visual Culture, 1745-1820, by John E Crowley
2011
Archival
74
Paul Mellon Centre for Studies in British Art
Imperial London: Civil Government Building in London, 1851-1915, by M. H. Port
1995
Archival
75
Paul Mellon Centre for Studies in British Art
Inigo Jones and the European Classicist Tradition, by Giles Worsley
2007
Archival
76
Paul Mellon Centre for Studies in British Art
Inigo Jones: The Architect of Kings, by Vaughan Hart
2011
Archival
77
Interior Housepainting Colours and Technology, 1615-1840 by lan C. Bristow
1996
Archival
78
Paul Mellon Centre for Studies in British Art
Ireland and the Picturesque: Design, Landscape Painting and Tourism 1700-1840, by Finola O'Kane
2013
Archival
79
Paul Mellon Centre for Studies in British Art
Ireland's Painters 1600-1940, by Anne O. Crookshank and Knight of Glin
2002
Archival
80
Paul Mellon Centre for Studies in British Art
Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union, by Knight of Glin and James Peill
2007
Archival
81
Irish Portraits, 1660-1860 / catalogue by Anne Crookshank and the Knight of Glin
1969
Archival
82
Greenwhich: an Architectural History of the Royal Hospital for Seamen and the Queen's House / John Bold
1966 2018
Archival
83
Gwen John: an Interior Life / Cecily Langdale and David Fraser Jenkins
1986
Archival
84
Gwen John with a Catalogue Raisonne of the Paintings and a Selection of the Drawings / Cecily Langdale
1966 2018
Archival
85
Paul Mellon Centre for Studies in British Art
Ham House: 400 Years of Collecting and Patronage, by Christopher Rowell
2013
Archival
86
Paul Mellon Centre for Studies in British Art
Hampton Court: A Social and Architectural History, by Simon Thurley
2004
Archival
87
Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England, Marcia Pointon
1993
Archival
88
Collector of Genius: A Life of Sir George Beaumont, David Brown, Felicity Owen
1988
Archival
89
Paul Mellon Centre for Studies in British Art
Constructed Abstract Art in England After the Second World War: a Neglected Avant Garde, by Alastair Ian Grieve
2005
Archival
90
Paul Mellon Centre for Studies in British Art
Above the Battlefield: Modernism and the Peace Movement in Britain, 1900-1918, by Grace Brockington
2011
Archival
91
Paul Mellon Centre for Studies in British Art
Brilliant Effects: a Cultural History of Gem Stones and Jewellery, by Marcia Pointon
2010
Archival
92
Paul Mellon Centre for Studies in British Art
British and Irish Paintings in Public Collection, by Christopher Wright, Catherine Gordon, and Mary Peskett Smith
2006
Archival
93
Architectural Colour in British Interiors, 1615-1840 / by Ian C. Bristow
1996
Archival
94
Art and Decoration in Elizabethan and Jacobean England, by Anthony Wells-Cole, 1997
1966 2018
Archival
95
Art and Decoration in Elizabethan and Jacobean England by Anthony Wells-Cole
1997
Archival
96
Paul Mellon Centre for Studies in British Art
Art as Evidence: Writings on Art and Material Culture, by Jules David Prown
2002
Archival
97
Paul Mellon Centre for Studies in British Art
Art for Art's Sake: Aestheticism in Victorian Painting, by Elizabeth Prettejohn
2008
Archival
98
Paul Mellon Centre for Studies in British Art
Art on the Line: the Royal Academy Exhibitions at Somerset House, 1780-1836, by Courtauld institute Gallery and David Hersh Solkin
2001
Archival
99
Paul Mellon Centre for Studies in British Art
Angelica Kauffman: Art and Sensibility, by Angela Rosenthal
2006
Archival
100
Paul Mellon Centre for Studies in British Art
Candidates for Fame: the Society of Artists of Great Britain 1760-1791, by Matthew Hargraves