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Archival Collections Paul Mellon Centre for Studies in British Art Publications

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Paul Mellon Centre for Studies in British Art
Patronage, Culture and Power: The Early Cecils, ed. Pauline Croft
2002
Archival
Paul Mellon Centre for Studies in British Art
Gainsborough in Bath, by Susan Sloman
2002
Archival
Paul Mellon Centre for Studies in British Art
C.R.W. Nevinson: The Cult of Violence, by Michael J K Walsh
2002
Archival
Paul Mellon Centre for Studies in British Art
Ireland's Painters 1600-1940, by Anne O. Crookshank and Knight of Glin
2002
Archival
Paul Mellon Centre for Studies in British Art
Art as Evidence: Writings on Art and Material Culture, by Jules David Prown
2002
Archival
Paul Mellon Centre for Studies in British Art
A Capital Collection: Houghton Hall and the Hermitage, ed. Larissa A Dukelskaya and Andrew W Moore
2002
Archival
Paul Mellon Centre for Studies in British Art
John Singer Sargent: Portraits of the 1890s: complete paintings vol. 2, by Richard Ormond and Elaine Kilmurray
2002
Archival
Paul Mellon Centre for Studies in British Art
Those Delightful Regions of Imagination: Essays on George Romney, ed. Alex Kidson
2002
Archival
Paul Mellon Centre for Studies in British Art
The Personal Art of Davis Octavius Hill, by Sara Stevenson
2002
Archival
Paul Mellon Centre for Studies in British Art
The Geographies of Englishness: Landscape and the National Past, 1880-1940, ed. David Peters Corbett, Ysanne Holt, and Fiona Russell
2002
Archival