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Forbes, James, 1749–1819
The Grand Altar-Piece, Fronting the principal Entrance, in the Excavations at the Isle of Elephanta. J. Forbes 1774
1774
Archival
Forbes, James, 1749–1819
The Grand Mosquem, at Ahmed-abad. Built by Sultan Ahmed, One of the Pathan Kings, and Founder of the City. J. Forbes 1781
text added between 1794 and 1800
Archival
The Graphic Art of Federico Barocci: Selected Drawings and Prints: catalogue
1978
Archival
The Graphic Work of Albrecht Durer, published by The British Museum
1971
Archival
The Great Exhibition: A Question of Taste, by Tobin Andrews Sparling
1982
Archival
The Great Exhibition: A Question of Taste + The Substance or the Shadow: Images of Victorian Womanhood
1982-04-13
Archival
Hamilton, Elizabeth, 1906–
The Great Teresa. London: Burns & Oates, 1963.
1963
Archival
Forbes, James, 1749–1819
The Green Banana-Bird at Rio de Janeiro
1767?
Archival
Forbes, James, 1749–1819
The Green-Fish, at St. Helena. Drawn smaller than nature. J. Forbes 1784
1784
Archival
Forbes, James, 1749–1819
The Green Lizard and Mangrove Tree, at the Brazils; of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Green Snake, at the Hot Wells of Dazagon, near Fort Victoria; described in the preceding Letter. J. Forbes 1771
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Green Wood-Pigeon at Fort Victoria; of the natural size & color; with a Sprig of the Cur-champah Tree. J. Forbes 1771
1771
Archival
The Grittleton Marbles Statuary and Garden Ornaments, published by Christie's
1966
Archival
The Grosvenor Gallery: A Palace of Art in Victorian England
1996-03-02 1996-04-28
Archival
The Grosvenor Gallery: A Palace of Art in Victorian England Edited by Susan P. Casteras and Colleen Denney
1996
Archival
Forbes, James, 1749–1819
The Ground-Fern, at St. Helena. J. Forbes 1784
1784
Archival
Forbes, James, 1749–1819
The Ground Plan of the Caves at the Island of Elephanta. J. Forbes 1775
1775
Archival
Askam, Mark
The Gruffyground Press: A Bibliography. Hitchin, Hertfordshire, Chestnut Editions, 2011.
2011
Archival
Forbes, James, 1749–1819
The Gum-Wood Tree, and Mountain Spider, at St. Helena. J. Forbes 1784
1784
Archival
Reynolds, Ernest Edwin, 1894–
The Heart of Thomas More Selected Readings for Every Day of the Year. London: Burns & Oates, Ltd., 1966.
1966
Archival
Forbes, James, 1749–1819
The Hindoo Pagoda, erected by Govindsett, at Alla-Bhaug; described in the preceding Letter. J. Forbes 1771
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Hippocampus, or Sea-Horse; at Anjengo; of the largest size. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Hippopotamus. J. Forbes 1776
redrawn between 1794 and 1800
Archival
The History of British Art (3 volumes), Edited by Chris Stephens, David Birdman and Tim Ayers
2009
Archival
Carr, Ralph Edward, 1833–1892
The history of the family of Carr of Dunston Hill, Co. Durham : and the collateral lines in England / by Colonel Ralph Edward Carr ... and by Cuthbert Ellison Carr (C.E.). London : Mitchell and Hughes, 1893-1899.
1893-1899
Archival
Forbes, James, 1749–1819
The Hog-Fish, at St. Helena; of its natural size and colours. J. Forbes 1784
1784
Archival
Joubert, John, 1927–
The Holy Mountain. A Canticle for SATB Chorus and Two Pianos, Opus 44. London: Novello & Company, Ltd., 1964.
1964
Archival
The Hon. Daines Barrington. European Magazine. Engraved by Bromley, from a Painting by Drummond. Published J. Sewell, 32 Cornhill 1795.
1795
Archival
Shirley Smith, Richard
The Hon. Jacob Rothschild 'JR'
1973
Archival
Forbes, James, 1749–1819
The Honey-Flower, and different Insects in the Baroche Purgunna. J. Forbes 1782
1782
Archival
Forbes, James, 1749–1819
The Horn-Bill, or Double-Beak; on the Malabar-Coast
1767?
Archival
The Horse in Art, by John Baskett: book
2006
Archival
Forbes, James, 1749–1819
The Horse-Radish Tree, Guilandina Moringa, a beautiful spreading Tree; with The Blue Locust, in Guzerat, drawn from Nature. J. Forbes 1778
1778
Archival
The Human Form Divine: William Blake from the Paul Mellon Collection
1997
Archival
The Human Form Divine: William Blake from the Paul Mellon Collection
1997-04-02 1997-07-06
Archival
The Human Form Divine: William Blake from the Paul Mellon Collection by Patrick Noon
1997
Archival
Paul Mellon Centre for Studies in British Art
The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth Century, by Kay Dian Kriz
1997
Archival
Paul Mellon Centre for Studies in British Art
The Image of Antiquity: Ancient Britain and the Romantic Imagination, by Sam Smiles
1994
Archival
Forbes, James, 1749–1819
The Image of Parisnaut in Shawuck Pagoda, a clebrated Hindoo Temple at Cambay. J. Forbes 1775
text added between 1794 and 1800
Archival
The Independent Eye: Contemporary British Art from the Collection of Samuel and Gabrielle Lurie
2010-09-16 2011-01-02
Archival
The Independent Eye: Contemporary British Art from the Collection of Samuel and Gabrielle Lurie, Edited by Eleanor Hughes and Angus Trumble
2010
Archival
Independent Group (Association : Great Britain)
The Independent Group, schedule of seminars for Spring 1955 session
1955
Archival
Forbes, James, 1749–1819
The Indian Burr, or Banian-Tree; drawn from Nature
1770
Archival
Forbes, James, 1749–1819
The Indian Quail, with the common Cicada, or Grass-hopper; of the natural size. J. Forbes 1781
1781
Archival
Forbes, James, 1749–1819
The Indian Red-Tail on a Branch of the Schwanni, or Trewia, a tree common on Malabar. J. Forbes
1772?
Archival
Forbes, James, 1749–1819
The Indian Roller, of its natural size, with The Scarlet Jasmin, a fragrant & beautiful Wild Plant on the Malabar Coast. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Indian Shot; with drawings of Butterflies from China. J. Forbes 1769
1769
Archival
Forbes, James, 1749–1819
The Indian Weat-ear, with the valuable Grain, called Juarree, of their natural size. J. Forbes 1779
1779
Archival
Forbes, James, 1749–1819
The Indian Woodcock; of the natural size. J. Forbes 1781
1781
Archival
Forbes, James, 1749–1819
The Indigo Plant, of Guzerat; of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Inscription under the Statue of Parisnaut, in Shawuck Pagoda at Cambay. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Inside of the Large Temple, or the principal Excavation, at Salsette. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The interior Mountain Scenery on the Coast of Brazil, near the Spring which supplies the Aqueduct at Rio de Janeiro, with all the Water used in the City of St. Sebastian. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Isinglass Moth, with the Japan Rose, or Shoe-Flower; at Bombay. J. Forbes 1769
1769
Archival
Forbes, James, 1749–1819
The Island of Madeira, bearing from S.E. to N.W.; taken at twelve Leagues distance. J. Forbes 1765
1765?
Archival
Forbes, James, 1749–1819
The Island of Palma, bearing South by East; taken at nine Leagues distance. J. Forbes, 1765
1765?
Archival
Forbes, James, 1749–1819
The Island of Tristian d'Acunha, bearing S.S.W. at 8 Leagues distance. J. Forbes 1765
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Isle of Sal, one of the Cape de Verd's, bearing S.W. distant 6 Leagues
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Jamboo-Rosario, or Rose-Apple: of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Java Sparrow, now become a very troublesome Bird at St. Helena, with the Red-Wood, or White Ebony-Tree, on that Island. J. Forbes 1784
1784
Archival
The Jubilee line : now linking South East and Central London
2000 January 20
Archival
Forbes, James, 1749–1819
The Jumma-Mosseid, or Grand Mosque, at Cambay. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Kherundah, as it appears in blossom and ripe fruit; with A beautiful Moth found in my Garden at Baroche, all of the natural size. J. Forbes 1778
1778
Archival
Paul Mellon Centre for Studies in British Art
The King's Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers, by Francis Haskell
2013
Archival
Forbes, James, 1749–1819
The Lampyris, or Fire-Fly, on the Coast of Brazil. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The large Brown Spider, the White Spider, and Coronet Spider, at Bombay, on a Spring of the Senna-Tree. J. Forbes 1768
1768
Archival
Forbes, James, 1749–1819
The large Chily, or Capsicum; common throughout Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Large Indian Bat; whose wings extend upwards of six Feet. J. Forbes 1782
1782
Archival
Forbes, James, 1749–1819
The Large Mazagon Mango, with the Carambola, Custard Apple, and Banana, at Bombay. J. Forbes
redrawn between 1794 and 1800
Archival
Paul Mellon Centre for Studies in British Art
The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture, by Tanya Harrod
2013
Archival
The Late Joseph Nollikens Esqr. R.A. Engraved by C.S. Taylor from an original painting by Sir W. Beechey R.A. London. Published for the New Eruopean Magazine by John Letts Junr. 32, Cornhill, 2nd June 1823.
1823 June 2
Archival
The Late Joseph Nollikens Esqr. R.A. Engraved by C.S. Taylor from an original painting by Sir W. Beechey R.A. London. Published for the New Eruopean Magazine by John Letts Junr. 32, Cornhill, 2nd June 1823.
1823 June 2
Archival
The Late Joseph Nollikens Esqr. R.A. Engraved by C.S. Taylor from an original painting. By Sir W. Beechey R.A. London. Published for the new European Magazine, by John Letts Junr. 32, Cornhill, 2nd June, 1823.
1823 June 2
Archival
The Later Paintings and Drawings of John Constable: Plates / Graham Reynolds
1984
Archival
The Later Paintings and Drawings of John Constable: Text / Graham Reynolds
1984
Archival
Forbes, James, 1749–1819
The Leaf-Fly or Vegetable Leaf; with the Madhavi, or Crimson Indian-Creeper; a favorite Flower with the Hindoos. J.F. 1767
1767
Archival
Paul Mellon Centre for Studies in British Art
The Letters of Sir Joshua Reynolds, by John Ingamells and John Edgcumbe
2000
Archival
Paul Mellon Centre for Studies in British Art
The Letters of Thomas Gainsborough, by John Hayes
2001
Archival
The Life and Art of James Barry / William L. Pressly
1981
Archival
Forbes, James, 1749–1819
The Light-House, on Old-Woman's Island, near Bombay. J. Forbes 1770
1770
Archival
The Line of Beauty: British Drawing and Watercolors of the Eighteenth Century by Scott Wilcox, Gillian Forrester, Morna O’Neill, and Kim Sloan
2001
Archival
The Line of Beauty: British Drawings and Watercolors of the Eighteenth Century
2001-05-17 2001-09-02
Archival
The Livery Companies of the City of London
1997
Archival
The London Connections map : rail and Underground Services, valid until 30 April 1994
1994
Archival
The London map guide : the one to carry with you
2000
Archival
Paul Mellon Centre for Studies in British Art
The London Square: Gardens in the Midst of Town, by Todd Longstaffe-Gowan
2012
Archival
Paul Mellon Centre for Studies in British Art
The London Town Garden 1740-1840, by Todd Longstaffe-Gowan
2001
Archival
The London Underground : diagram of lines and zonal map
1984
Archival
Forbes, James, 1749–1819
The Long Mulberry; Butterflies and Insects at Baroche. J. Forbes 1778
1778
Archival
Forbes, James, 1749–1819
The Long Pepper of Malabar, of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Long-tailed, Brazilian Finch, and Acacia Tree. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Long-tailed Green Jacamor; called The Sugar-Bird, at the Cape of Good-Hope; on a Branch of the Lime Tree. J. Forbes 1776
1776
Archival
Forbes, James, 1749–1819
The Long-tailed Indian Bee-eater at Bombay: on a Branch of the Pomegranate Tree. J. Forbes 1767
1767
Archival
Forbes, James, 1749–1819
The Long-tailed Ring-Parrot of India; on a Branch of the Burr, or Banian Tree. J. Forbes 1769
1769
Archival
The Lure of the East: British Orientalist Painting, 1830-1925
2008-02-07 2008-04-27
Archival
The Lure of the East: British Orientalist Painting, 1830-1925, Edited by Nicholas Tromans
2008
Archival
The Lure of the East: British Orientalist Painting 1830-1925 + Pearls to Pyramids: British Visual Culture and the Levant 1600-1830
2008-02-06 2008-02-07
Archival
The Magazine Antiques: "George Stubbs" by Duncan Robinson: magazine
February 1985
Archival
The Magazine Antiques: “John Robert Cozens and English Watercolor” by Matthew Hargraves: magazine
June 2007
Archival
Forbes, James, 1749–1819
The Male Papah Tree. J. Forbes, 1767
redrawn between 1794 and 1800
Archival