<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques albumen process

Remove constraint Materials & Techniques: albumen process

Associated Places United Kingdom

Remove constraint Associated Places: United Kingdom

Width [cm] 21

Remove constraint Width [cm]: 21

Search Results

Stubbes, Essex
Creator:
George Shadbolt, 1830–1901
Date:
1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View of Oakfield, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Harlech Castle, North Wales
Creator:
Francis Bedford, 1816–1894
Date:
ca. 1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Mt. Pleasant Fields, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Glen at Lynmouth
Creator:
Francis Bedford, 1816–1894
Date:
undated
Materials & Techniques:
Albumen print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro