Materials & Techniques: aquatint / Creator Gender: female / Credit Line: Yale Center for British Art, Paul Mellon Fund - YCBA Collections Search Search Results

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Materials & Techniques aquatint

Creator Gender female

Credit Line Yale Center for British Art, Paul Mellon Fund

1. Prince William Frederick of Gloucester

Prince William Frederick of Gloucester

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Aquatint and engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 8 7/8 inches (32.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Portrait of Mrs. Elizabeth Stanhope

Portrait of Mrs. Elizabeth Stanhope

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1790
Materials & Techniques:: Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. A Woman Seated on Stones

A Woman Seated on Stones

Creator:: Print made by Angelica Kauffmann, 1741–1807
Date:: 1780
Materials & Techniques:: Etching and aquatint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 1/8 inches (17.8 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund