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Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 31

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1. Moonlight at Sea, Off the Isle of Wight

Moonlight at Sea, Off the Isle of Wight
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Encampment at Fornham near St. Edmund's Bury

Encampment at Fornham near St. Edmund's Bury
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1782
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 25 5/16 inches (38.4 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Creator:
Charles Rosenberg, active 1828–1848
Date:
1831
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Belle of the Village

The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867
Date:
1854
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. South Front of the Bank

South Front of the Bank
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Glen Crowe, Western Highlands, Scotland

Glen Crowe, Western Highlands, Scotland
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Encampment at Farnham near St. Edmund's Bury

Encampment at Farnham near St. Edmund's Bury
Creator:
Charles Tomkins, 1757–1823
Date:
1782
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Carlinan Mill, Iverary, Scotland

Carlinan Mill, Iverary, Scotland
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Creator:
Print made by Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection