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Materials & Techniques aquatint

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Period 20th century

Remove constraint Period: 20th century

Width [cm] 36

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Study for ‘Atlas Procession'
Creator:
Print made by William Kentridge, born 1955
Date:
2000
Materials & Techniques:
Etching with sugarlift, aquatint, drypoint, and engraving, with added watercolor on Stielers Hand-Atlas page mounted on Vélin d'Arches Blanc 280 gsm white wove paper
Dimensions:
Frame: 23 × 19 3/4 × 1 3/4 inches (58.4 × 50.2 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Arlene Warmbrunn Saxonhouse, Yale PhD, Political Science, 1972; and Gary Saxonhouse, Yale BA 1964, Yale PhD, Economics, 1971; and their family
The Library of San Marco, Venice
Creator:
Print made by William Walcot, 1874–1943
Date:
1920
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1912
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 x 14 5/16 inches (29.6 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint and open-bite from six plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 1/2 × 19 1/2 inches (69.9 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund