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Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

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1. Junction of Severn and Wye

Junction of Severn and Wye
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Moonlight at Sea, Off the Isle of Wight

Moonlight at Sea, Off the Isle of Wight
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Moonlight at Sea, Off the Isle of Wight

Moonlight at Sea, Off the Isle of Wight
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 13 1/2 inches (30.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Malmsbury Abbey

Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Clare Hall, Cambridge

Clare Hall, Cambridge
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Hand colored, aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Peterborough Cathedral

Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, 1st published state, printed in color, finished by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand colooring, later state, 1837 edition
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Cassiobury, Herfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Great Cloister, Cassiobury

The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Great Cloister, Cassiobury

The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, later state, 1837 edition plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, gray wash, 1st published state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
aquatint, Late state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Tours, looking backwards

Tours, looking backwards
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
Aquatint, Late state, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Promenade on the Ramparts of Nantes

Promenade on the Ramparts of Nantes
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Peterborough Cathedral

Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Hand colored, aquatint, First published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Malmsbury Abbey

Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Tours, looking backwards

Tours, looking backwards
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Mausoleum at Brocklesby

No cover image available
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1800
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint, with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Ehrenbreitstein to Coblentz

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Bellinzona from the Road to Locarno

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896-1897
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Mausoleum at Brocklesby

No cover image available
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1804
Materials & Techniques:
Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Shipping By A Breakwater

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1889
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Three Swords

No cover image available
Creator:
Print made by unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund