<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Height [cm] 51

Remove constraint Height [cm]: 51

Search Results

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1789
Materials & Techniques:
Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1796
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Transmogrifications of Bloom
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1984 to 1985
Materials & Techniques:
Soft-ground etching and aquatint on medium, smooth, white Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 5/16 inches (76 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Tivoli

Tivoli
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1800
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1789
Materials & Techniques:
Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/4 inches (50.8 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed etching and aquatint; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 20 × 25 5/8 inches (50.8 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1919
Materials & Techniques:
Etching, drypoint, and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/8 × 30 3/8 inches (65.1 × 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery