Materials & Techniques: aquatint - YCBA Collections Search Search Results

401. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

412. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Marcus and a Pink

Creator:: Patrick Procktor, 1936–2003
Date:: 1971
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Frame: 32 x 23 3/4 inches (81.3 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

414. Flower Bridge, Kweilin

Creator:: Patrick Procktor, 1936–2003
Date:: 1980
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 31 3/4 x 26 3/4 inches (80.6 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

415. Still-Life [colour exercise]

Creator:: Terry A. Wilson, born 1948
Date:: 1979
Materials & Techniques:: aquatint
Dimensions:: Frame: 28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

416. A Moonlit Landscape with Cattle by a Pool

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1780
Materials & Techniques:: Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

417. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

418. Dejection Ode New Moon Winter Bridge

Creator:: Print made by Donald Wilkinson, born 1937
Date:: undated
Materials & Techniques:: Color-printed etching and aquatint on medium, slightly textured, white wove paper
Dimensions:: Sheet: 29 1/4 x 22 3/8 inches (74.3 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

419. Dr. Syntax and his Counterpart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:: Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Eugene Galleries, Inc.

420. Venice, Evening

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring, printed on sixteen sheets on Velin Arches 300gsm white wove paper
Dimensions:: Overall: 63 × 77 3/8 inches (160 × 196.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

421. Sacra Christi Familia

Creator:: Print made by James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

422. Municipal Garden, Johannesburg, from the South African Series

Creator:: Patrick Procktor, 1936–2003
Date:: 1974
Materials & Techniques:: Etching and aquatint
Dimensions:: Image: 7 x 4 15/16 inches (17.8 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

423. The Bridge, Cahors

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream wove paper
Dimensions:: Plate: 7 1/8 × 9 3/8 inches (18.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

424. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Venice, Evening, Sheet 3

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

429. Venice, Evening, Sheet 1

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

430. Venice, Evening, Sheet 4

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

431. Venice, Evening, Sheet 8

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

432. Venice, Evening, Sheet 7

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

433. Venice, Evening, Sheet 11

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

434. Venice, Evening, Sheet 5

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

435. Venice, Evening, Sheet 6

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

436. Venice, Evening, Sheet 12

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

437. Venice, Evening, Sheet 10

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

438. Venice, Evening, Sheet 14

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

439. Venice, Evening, Sheet 15

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

440. Venice, Evening, Sheet 13

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

441. In Horne's House

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1982
Materials & Techniques:: Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

442. Leopold Bloom

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1983
Materials & Techniques:: Soft ground etching, roulette, line engraving and aquatint on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 30 × 22 3/8 inches (76.2 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

443. III

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching and aquatint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

444. IV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

445. VII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

446. V

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

447. VI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

448. VIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

449. XXI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

450. XX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

451. XXII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

452. XXIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

453. XIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

454. XXVI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

455. XXVIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

456. XXIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

457. XXVII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

458. XXXII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, openbite etching, hardground, and hand-shaken aquatint: the plate cut down following state 12 on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

459. XXIV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

460. XXXIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

461. XXXIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

462. XLI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

463. XLII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

464. XLIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

465. XLIV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, openbite, creeping aquatint bite, and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

466. XLV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, aquatint and openbite: the plate was cut in half, the other half used for plate L on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

467. XLVI

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

468. Panama Hat

Creator:: David Hockney, born 1937
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 13 inches (41.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,, Transfer from the Yale University Art Gallery, Estate of Richard Brown Baker

469. How a Great Daily Organ is Turned Out

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1990
Materials & Techniques:: Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

470. The Transmogrifications of Bloom

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1984 to 1985
Materials & Techniques:: Soft-ground etching and aquatint on medium, smooth, white Hahnemuhle wove paper
Dimensions:: Sheet: 29 15/16 × 22 5/16 inches (76 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

471. Venice, Evening, Sheet 2

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

472. Venice, Evening, Sheet 9

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

473. Venice, Evening, Sheet 16

Creator:: Print made by Sir Howard Hodgkin, 1932–2017
Date:: 1995
Materials & Techniques:: Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:: Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marla Price

474. XVIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

475. XLVII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

476. Anemone 2

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

477. XLIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

478. Anemone 1

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

479. Anemone 3

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

480. Anemone 6

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

481. Anemone 5

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

482. Anemone 7

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

483. Anemone 4

Creator:: Bill Jacklin, born 1943
Date:: 1977
Materials & Techniques:: Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:: Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

484. Alan Ramsay Scotus

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

485. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:: Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint on cream card
Dimensions:: Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Octopus

Creator:: Print made by Graham Vivian Sutherland, 1903–1980
Date:: 1979
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 28 3/4 x 21 1/2 inches (73 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

496. Dejection Ode Hall Trial Proof

Creator:: Print made by Donald Wilkinson, born 1937
Date:: undated
Materials & Techniques:: Color printed etching and aquatint on thick, smooth, white wove paper
Dimensions:: Sheet: 29 1/4 x 22 3/8 inches (74.3 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

497. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Creator:: Print made by Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

498. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1800
Materials & Techniques:: Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

499. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: 1800
Materials & Techniques:: Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

500. Sweet China Oranges, Sweet China!

Creator:: Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques aquatint

Search Results

401. View of the Gate of St. Denis Taken from the Suburbs.

402. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

403. Views of the Pantheon, taken from the Arsenal

404. View of the Palace and Village of Choisi, on the Banks of the Siene

405. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

406. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

407. View of the Village of Chaillot & C. taken from Pont de la Concorde

408. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

409. View of St. Cloud and Mt. Calvary taken from Pont de Seve

410. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

411. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

412. The Watermill Above the Bridge at Charenton

413. Marcus and a Pink

414. Flower Bridge, Kweilin

415. Still-Life [colour exercise]

416. A Moonlit Landscape with Cattle by a Pool

417. Seran Raja's Palace

418. Dejection Ode New Moon Winter Bridge

419. Dr. Syntax and his Counterpart

420. Venice, Evening

421. Sacra Christi Familia

422. Municipal Garden, Johannesburg, from the South African Series

423. The Bridge, Cahors

424. Grouse Shooting

425. Snipe Shooting

426. Pheasant Shooting

427. Partridge Shooting

428. Venice, Evening, Sheet 3

429. Venice, Evening, Sheet 1

430. Venice, Evening, Sheet 4

431. Venice, Evening, Sheet 8

432. Venice, Evening, Sheet 7

433. Venice, Evening, Sheet 11

434. Venice, Evening, Sheet 5

435. Venice, Evening, Sheet 6

436. Venice, Evening, Sheet 12

437. Venice, Evening, Sheet 10

438. Venice, Evening, Sheet 14

439. Venice, Evening, Sheet 15

440. Venice, Evening, Sheet 13

441. In Horne's House

442. Leopold Bloom

443. III

444. IV

445. VII

446. V

447. VI

448. VIII

449. XXI

450. XX

451. XXII

452. XXIII

453. XIX

454. XXVI

455. XXVIII

456. XXIX

457. XXVII

458. XXXII

459. XXIV

460. XXXIII

461. XXXIX

462. XLI

463. XLII

464. XLIII

465. XLIV

466. XLV

467. XLVI

468. Panama Hat

469. How a Great Daily Organ is Turned Out

470. The Transmogrifications of Bloom

471. Venice, Evening, Sheet 2

472. Venice, Evening, Sheet 9

473. Venice, Evening, Sheet 16

474. XVIII

475. XLVII