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Materials & Techniques black chalk

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Portrait Study of Whistler
Creator:
Walter Greaves, 1846–1930
Date:
undated
Materials & Techniques:
Black chalk and graphite with pen and gray ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 x 8 5/8in. (33 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Berry Pomeroy Castle, Devon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Male Nude Posterior Pose
Creator:
Glyn Warren Philpot, 1884–1937
Date:
undated
Materials & Techniques:
Black chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 16 1/2 x 11 inches (41.9 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Reclining Figure
Creator:
Henry Moore, 1898–1986
Date:
1939
Materials & Techniques:
Black chalk, white chalk, graphite, gray wash and crayon on medium, slightly textured, beige wove paper
Dimensions:
Frame: 30 3/4 x 35 1/2 x 3 inches (78.1 x 90.2 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz
No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Leon Underwood, 1890–1975
Date:
1929
Materials & Techniques:
Black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 16 5/8 inches (52.7 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund