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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSubject Terms interior
Remove constraint Subject Terms: interiorSearch Results
1
- Levens, Westmoreland, The Small Drawing Room
- 1873
2
- Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
- undated
3
- Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
- undated
4
- Halle au Blé, - Interior
- undated
5
- Night Despatch Rider - Tea in a Café
- 1943
6
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
7
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
8
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
9
- The Smock Exposed
- 1817
10
- The Reconcilation
- 1817
11
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
12
- Hogarth Drawing Sarah Malcolm
- 1817
13
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
14
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
15
- Hogarth Sitting to Roubiliac for His Bust
- 1817
16
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
17
- The Eleventh Hour
- 1817
18
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
19
- Breakfast before the Hunt
- between 1785 and 1790
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
20
- February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
21
- The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
- 1852
22
- Foxhunting: The Toast
- undated
23
- Cottager's Hospitality to Travellers of The Coach Broke Down
- 1819
24
- Four O'Clock in the Country
- between 1788 and 1790
25
- Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
- undated
26
- Sir Violet Sighaway & Mr. Villiers
- undated
27
- Peter Callam & Elvira
- undated
28
- Design for the Roof Truss, Rampisham Rectory
- between 1846 and 1848
29
- A Modern Diversion
- undated
30
- The Harmonious Family
- undated
31
- A Dramatic Scene with Three Women in an Interior
- 1794
32
- Studies of Napoleon, arms folded, with other figures
- undated
33
- Sarcophagus in a Church
- May 10, 1806
34
- The Spoiled Child, Scene I
- ca. 1802
35
- The Spoiled Child, Scene V
- ca. 1802
36
- The Spoiled Child, Scene III
- ca. 1802
37
- The Spoiled Child, Scene IV
- ca. 1802
38
- The Spoiled Child, Scene II
- ca. 1802
39
- The Spoiled Child, Scene VI
- ca. 1802
40
- Poulterer's Shop
- undated
41
- Elevations of a Room
- undated
42
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
43
- Denial and Disappointment
- undated
44
- A Girl Giving a Key to a Cavalier
- undated
45
- The Exhibition Stare-Case, Somerset House
- ca. 1800
46
- Study of Women and Men Saying Grace, Before a Meal
- undated
47
- Comforts of Bath: The Pump Room
- 1798
48
- The Comforts of Bath: The Breakfast
- 1798
49
- Comforts of Bath: The Ball
- 1798
50
- A Legal Wrangle
- undated
51
- Dr Graham's Bathing Establishment
- undated
52
- Sepulchral Chambers
- undated
53
- The Cartoon Gallery, Knole, Kent
- 1871
54
- Dancing Couples
- undated
55
- The French Lady in London
- ca. 1771
56
- The Card Party
- between late 1720s to early 1730s
57
- Views in the Levant: Interior of a Ruined Byzantine Church
- undated