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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
1
- The Horse
- ca. 1805
- Not on view
2
- Arab Horsemen, One Brown and One Gray Horse
- 1965
3
- Moving Up to Challenge
- 1963
4
- Arab Horsemen, Two Grey Horses
- 1965
5
- A Harrow in the Orchard
- ca. 1896
6
- Huntsman and Hounds
- ca. 1896
7
- Over the Bank, Exmoor
- ca. 1895
8
- Brighton Beach Looking West
- undated
9
- A View on the Orwell
- undated
10
- Opening the Fold: Early Morning
- ca. 1880
11
- A Cow Lodge with a Mossy Roof
- ca. 1829
12
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
13
- A Cottage among Trees, Shoreham
- undated
14
- An Ancient Barn at Shoreham
- undated
15
- Cornfield and Church by Moonlight
- early 1830s
16
- The Valley of Vision
- undated
17
- The Timber Wain
- between 1833 and 1834
18
- Horses Fighting
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Female Head
- undated
21
- Grotesque Female Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Female Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Female Head
- undated
32
- Grotesque Male Head
- undated
33
- Grotesque Female Head
- undated
34
- Ship Aground Brighton
- 1830
35
- Barnard Castle
- ca. 1825
36
- Leeds
- 1816
37
- Rome from Monte Mario
- ca. 1818
38
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
39
- Andernach
- 1817
40
- Lake Geneva and Mount Blanc
- 1802 to 1805
41
- Villa d'Este
- ca. 1796
42
- Catania
- 1847
43
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
44
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
45
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
46
- The Capo Sant' Angelo, Amalfi
- ca. 1885
47
- Bavella, Corsica
- ca. 1868
48
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
49
- The Wave
- undated
50
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
51
- Abraham and Isaac
- 1799 to 1800
52
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
53
- The Entrance Front of Hayley's House at Eartham
- 1801
54
- Joseph and Potiphar's Wife
- 1803 to 1805
55
- An Angel with a Trumpet
- between 1805 and 1808
56
- The Parable of the Wise and Foolish Virgins
- ca. 1825
57
- Pity
- ca. 1795
58
- Mary Magdalen at the Sepulchre
- ca. 1805
59
- Moses Receiving the Law
- ca. 1780
60
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
61
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
62
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
64
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
65
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
66
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
89
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
90
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
91
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
92
- Jerusalem, Plate 10, "Into the Furnaces...."
- 1804 to 1820
93
- Jerusalem, Plate 100
- 1804 to 1820
94
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
95
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
96
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
97
- Jerusalem, Plate 13, "And that toward Eden...."
- 1804 to 1820
98
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
99
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
100
- Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
- 1804 to 1820