Materials & Techniques: black ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 12

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

1793

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

Luigi Balugani, 1737–1770

Skeletro della Testa di Fecco (Three Animal Skulls)

undated

Louis Philippe Boitard, active 1734–1760

A Man Asleep with Hands Crossed in a Chair

undated

Edward Francis Burney, 1760–1848

Allegory of Drawing

undated

attributed to Hubert-François Gravelot, 1699–1773

Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

undated

Louis Philippe Boitard, active 1734–1760

A Young Woman in a Blue Dress

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

attributed to John Hamilton Mortimer, 1740–1779

Two Heads in a Roundel

undated

Augustus Welby Northmore Pugin, 1812–1852

Design for a Gothic Screen

undated

John Thomas Smith, 1766–1833

Dr. Messenger Monsey of Chelsea Hospital, 1693-1788

undated

Hubert-François Gravelot, 1699–1773

Design for a Vignette: Seated Classical Figure

undated

Hubert-François Gravelot, 1699–1773

Design for a Vignette: Figure of Abundance

undated

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

Joseph Crawhall, 1861–1913

Self Portrait

early 1890's

John Collet, ca. 1725–1780

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

undated

John Collet, ca. 1725–1780

Stable Boy Holding a Horse in a Landscape

undated

John Buckler FSA, 1770–1851

Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart

1819

unknown artist

Windmill

undated

unknown artist

Martin Archer Shee

undated

Thomas Churchyard, 1798–1865

Country Landscape with Cottage, Windmill, Barns and Figures with Pond in Foreground

undated

Attributed to Augustin Heckel, 1690–1770

Bacchus & Ariadne; Design for a Gold Box

ca. 1730

Thomas Rowlandson, 1756–1827

The Opera Singers

between 1790 and 1795

Charles Hamilton Smith, 1776–1859

Frontispiece - Peter Simon Pallas

ca. 1837

Attributed to Gangaram Chintaman Tambat, active 1790s

Man with a Blue Cloth over his Legs

undated

Attributed to Gangaram Chintaman Tambat, active 1790s

Man Sitting Crosslegged

undated

Robert Smirke, 1752–1845

Bachanalia Scene

undated