Materials & Techniques: black ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: interior

Joseph Nash, 1808–1878

Levens, Westmoreland, The Small Drawing Room

1873

Benjamin Ferrey, 1810–1880

Halle au Blé, - Interior

undated

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

Thomas Rowlandson, 1756–1827

Breakfast before the Hunt

between 1785 and 1790

Thomas Stothard, 1755–1834

February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

undated

Thomas Shotter Boys, 1803–1874

The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

1852

Henry Thomas Alken, 1785–1851

Foxhunting: The Toast

undated

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Thomas Rowlandson, 1756–1827

Four O'Clock in the Country

between 1788 and 1790

Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Print made by Augustus Welby Northmore Pugin, 1812–1852

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4

undated