Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
2
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
3
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
4
John Thomas Smith, 1766–1833
The Smock Exposed
1817
5
John Thomas Smith, 1766–1833
The Reconcilation
1817
6
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
7
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
8
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
9
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
10
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
11
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
12
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
13
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
14
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
15
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
16
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
17
Benjamin Ferrey, 1810–1880
Halle au Blé, - Interior
undated
18
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
19
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
20
Benjamin Robert Haydon, 1786–1846
Studies of Napoleon, arms folded, with other figures
undated
21
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
22
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
23
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
24
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
25
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
26
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
27
William Mulready, 1786–1863
Denial and Disappointment
undated
28
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
29
Robert Dighton, 1752–1814
A Modern Diversion
undated
30
Robert Dighton, 1752–1814
The Harmonious Family
undated
31
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
32
Thomas Rowlandson, 1756–1827
Dr Graham's Bathing Establishment
undated
33
Francis Hayman, 1707/8–1776
The Card Party
between late 1720s to early 1730s
34
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
35
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
36
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
37
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
38
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
39
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
40
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
41
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
42
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
43
Thomas Shotter Boys, 1803–1874
The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
1852
44
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
45
unknown artist
Sepulchral Chambers
undated
46
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
47
Augustus Welby Northmore Pugin, 1812–1852
Design for the Roof Truss, Rampisham Rectory
between 1846 and 1848
48
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
49
unknown artist
Elevations of a Room
undated
50
unknown artist
Views in the Levant: Interior of a Ruined Byzantine Church