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Materials & Techniques black ink

Credit Line Yale Center for British Art, Paul Mellon Collection

William Blake Jerusalem, Plate 55, "When those who disregard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 55, "When those who disregard...."

1804 to 1820

William Blake Jerusalem, Plate 56, "Then Los heaved...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 56, "Then Los heaved...."

1804 to 1820

William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 59, "And formed into Four precious stones...."

1804 to 1820

William Blake Jerusalem, Plate 62, "Repose on me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 79, "My tents are fall'n...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 79, "My tents are fall'n...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 86, "I see thy Form...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 88, "Los answerd sighing...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 88, "Los answerd sighing...."

1804 to 1820

William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake Visions of the Daughters of Albion, Plate 2, Title Page

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 2, Title Page

1793

William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Jerusalem, Plate 98, "Then each an Arrow flaming...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 27, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

William Blake Europe. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 1, Frontispiece

1794

William Blake Europe. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 2, Title Page

1794

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

1794

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

1794

William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake Europe. A Prophecy, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

Sir Robert Smirke the younger Architectural Drawing of a Temple

Sir Robert Smirke the younger, 1781–1867

Architectural Drawing of a Temple

1802-1804

Sir Robert Smirke the younger Architectural Drawing of the Porticos of a Temple

Sir Robert Smirke the younger, 1781–1867

Architectural Drawing of the Porticos of a Temple

1802-1804

Sir Robert Smirke the younger Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

Sir Robert Smirke the younger, 1781–1867

Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon

1802-1804

Sir Robert Smirke the younger Temple Near the Site of Ancient Phigalia

Sir Robert Smirke the younger, 1781–1867

Temple Near the Site of Ancient Phigalia

1803

Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia

Sir Robert Smirke the younger, 1781–1867

Architectural Drawing of the Temple of Concordia

1802-1804

Sir Robert Smirke the younger Architectural Drawing of a Temple

Sir Robert Smirke the younger, 1781–1867

Architectural Drawing of a Temple

1802-1804

Sir Robert Smirke the younger The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum

Sir Robert Smirke the younger, 1781–1867

The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum

1802-1804

Sir Robert Smirke the younger Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum

Sir Robert Smirke the younger, 1781–1867

Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum

1802-1804

Sir Robert Smirke the younger Architectural Sketch of Building with Doric Columns

Sir Robert Smirke the younger, 1781–1867

Architectural Sketch of Building with Doric Columns

1802-1804

Sir Robert Smirke the younger Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

Sir Robert Smirke the younger, 1781–1867

Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

1802-1804

Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus

Giovanni Battista Borra, 1713–1770

The Members of a Corinthian Temple in Ruins at Ephesus

ca. 1750

Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

Giovanni Battista Borra, 1713–1770

Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

ca. 1750

Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa

Giovanni Battista Borra, 1713–1770

Details of a Composite Order from the Temple of Augustus at Mylasa

ca. 1750

Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias

Giovanni Battista Borra, 1713–1770

Remains of an Ionic Order and Circus at Aphrodisias

ca. 1750

Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa

Giovanni Battista Borra, 1713–1770

Details of a Corinthian Order, Possibly from Mylasa

ca. 1750

Giovanni Battista Borra An Altar at Delos

Giovanni Battista Borra, 1713–1770

An Altar at Delos

1751

Giovanni Battista Borra Monte delle Beatitudini

Giovanni Battista Borra, 1713–1770

Monte delle Beatitudini

ca. 1750

Giovanni Battista Borra Plan of Lake Tiberias

Giovanni Battista Borra, 1713–1770

Plan of Lake Tiberias

ca. 1750

Giovanni Battista Borra Plan and View of a Cave, Temple, or Tomb

Giovanni Battista Borra, 1713–1770

Plan and View of a Cave, Temple, or Tomb

ca. 1750

Giovanni Battista Borra Sepolcro di Zagaria

Giovanni Battista Borra, 1713–1770

Sepolcro di Zagaria

ca. 1750

Giovanni Battista Borra Plans and Views of Two Pyramids, One Cephron's at Giza

Giovanni Battista Borra, 1713–1770

Plans and Views of Two Pyramids, One Cephron's at Giza

ca. 1750

Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden

Giovanni Battista Borra, 1713–1770

View of the Ruined Theater of Aezani at Tjaden

ca. 1750

Giovanni Battista Borra View, Cross Section, and Other Details of Cheop's Pyramid at Giza

Giovanni Battista Borra, 1713–1770

View, Cross Section, and Other Details of Cheop's Pyramid at Giza

ca. 1750

Giovanni Battista Borra Topographical View of the Pyramids at Giza

Giovanni Battista Borra, 1713–1770

Topographical View of the Pyramids at Giza

ca. 1750