Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
7
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
8
Gangaram Chintaman Navgire Tambat, active 1790s
Jeytie Lifting Weights
between 1790 and 1796
9
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
10
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
11
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
12
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
13
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
14
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
15
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
16
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
17
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
18
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
19
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
20
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
21
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
22
unknown artist
Morning
1799
23
unknown artist
Mid-Day
1799
24
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
25
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
26
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
28
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
29
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
30
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
31
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
32
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
33
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
34
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
35
Samuel Howitt, 1756–1822
The Check
undated
36
Samuel Howitt, 1756–1822
Going to Cover
undated
37
Samuel Howitt, 1756–1822
Going out of Kennel
undated
38
Samuel Howitt, 1756–1822
The Death
undated
39
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
40
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
41
Samuel Howitt, 1756–1822
Full Cry
undated
42
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
43
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
44
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
45
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
46
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
47
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
48
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
49
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
50
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
51
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
52
John Wootton, 1682–1764
The Meet
undated
53
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
54
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
55
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
56
Samuel Howitt, 1756–1822
Racing Scene
1792
57
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
58
John Wootton, 1682–1764
Hounds in a Landscape
undated
59
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
60
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
61
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
62
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
63
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
64
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
65
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
66
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
67
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
68
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
69
Lionel Edwards, 1878–1966
The Quorn towards Ashby de la Zouch, Leicestershire
1919
70
Samuel Howitt, 1756–1822
The Kill
1792
71
James Seymour, 1702–1752
Foxhunting
undated
72
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
73
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
74
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
75
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
76
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
77
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
78
James Seymour, 1702–1752
The Famous Childers
undated
79
James Seymour, 1702–1752
Victorious
undated
80
Joseph Crawhall, 1861–1913
The Loose Shoe
undated
81
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
82
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
83
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
84
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
85
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
86
John Collet, ca. 1725–1780
A Game of Bowls
undated
87
Henry Thomas Alken, 1785–1851
The Death: The Fox Hoist to a Fence
undated
88
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
89
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
90
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
91
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
92
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
93
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
94
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
95
Henry Thomas Alken, 1785–1851
Foxhunting: Gone Away
undated
96
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
97
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
undated
98
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
99
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'