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Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Triumphs of Owen, A Fragment; Title Page
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Long Story; Title Page
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Luigi Balugani Ensete ventricosum
Luigi Balugani, 1737–1770
Ensete ventricosum
undated
Luigi Balugani Logheta (Grewia ferruginea)
Luigi Balugani, 1737–1770
Logheta (Grewia ferruginea)
undated
unknown artist Le Havre and Le Manche: A Map of Le Havre
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
Cornelius Varley View of a House
Cornelius Varley, 1781–1873
View of a House
undated
Robert Adam Headfort House: Great Room Pilaster
Robert Adam, 1728–1792
Headfort House: Great Room Pilaster
1772
Sir Robert Smirke the younger Architectural Drawing of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
Sir Frank Short The "Victory" Coming Up Channel
Print made by Sir Frank Short, 1857–1945
The "Victory" Coming Up Channel
1891
Henry Aston Barker Siege at Badajoz
Henry Aston Barker, 1774–1856
Siege at Badajoz
ca. 1813
Giovanni Battista Borra Pianura dell'Hermo in Faccia a Sardes
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra Cnidus: Plan of the Harbor and Map of Sites
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
Giovanni Battista Borra View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
Giovanni Battista Borra Plan of the Bay of Tyre
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
Giovanni Battista Borra Samos
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
Giovanni Battista Borra Plan of the Port of Sigacik (ancient Teos)
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Walter Richard Sickert Le Rideau, Gaite Montparnasse
Walter Richard Sickert, 1860–1942
Le Rideau, Gaite Montparnasse
undated
John Michael Rysbrack Design for a Monument to Sir James Reade, Hatfield
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
Robert Adam Headfort House, Ireland: Elevation of One End of the Parlor
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of One End of the Parlor
between 1771 and 1775
Robert Adam Headfort House: Moldings in the Great Room
Robert Adam, 1728–1792
Headfort House: Moldings in the Great Room
1772
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Samuel Ireland Joiner's Hall
Samuel Ireland, 1744–1800
Joiner's Hall
between 1794 and 1800
Samuel Ireland Dyer's Hall
Samuel Ireland, 1744–1800
Dyer's Hall
between 1794 and 1800
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
Joseph Crawhall The Loose Shoe
Joseph Crawhall, 1861–1913
The Loose Shoe
undated
Francis Sartorius `Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800
Francis Sartorius, 1734–1804
`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800
1800
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Henry Thomas Alken Foxhunting: The Leap
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
Henry Thomas Alken Foxhunting: The Refreshment
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
Samuel Howitt Rider Leading a Second Horse, Leaving the Grounds of a Country House
Samuel Howitt, 1756–1822
Rider Leading a Second Horse, Leaving the Grounds of a Country House
undated
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
Capt. Francis Grose South Mimms Church, Hertfordshire
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
John Buckler FSA View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath
John Buckler FSA, 1770–1851
View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath
1810
John Buckler FSA Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor
John Buckler FSA, 1770–1851
Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor
1815
John Buckler FSA The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817