Materials & Techniques: black ink / On-site Access: Accessible by appointment in the Study Room / Subject Terms: genre subject

1. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Shepherd, from Songs of Innocence

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Spring, from Songs of Innocence

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Near Khan Yunas

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 4 3/4 x 8 7/8 inches (12.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/4 inches (14 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 5/8 inches (14 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Unidentified Periodical/Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Prague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1847
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 13/16 x 2 7/16 inches (9.7 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. The Arrival of Ferries at London Bridge (?)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Great Court, Trinity College, Cambridge

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Sailing Barge being loaded with Hay, December 1827

Creator:: Cornelius Varley, 1781–1873
Date:: 1827
Materials & Techniques:: Graphite with watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 20 inches (28.6 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Donnybrook Fair, 1782

Creator:: Francis Wheatley, 1747–1801
Date:: 1782
Materials & Techniques:: Black ink with watercolor on medium, smooth, cream laid paper
Dimensions:: Sheet: 12 5/8 x 21 1/2 inches (32.1 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Welsh Fisherwomen

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Rowlandson and Wigstead on Tour

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Encampment Scene

Creator:: Thomas Sandby, 1721–1798
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/8 × 3 inches (3.5 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 3 7/8 inches (13.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Holbein's Gateway and Jones's Banqueting House, Whitehall...

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Decorative Object

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 2 3/4 inches (11.1 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Jeytie Lifting Weights

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1790 and 1796
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Mahadji Scindia in his Tent

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Woman Bending over Basket

Creator:: Attributed to Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 6 9/16 inches (15.9 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Keilghee or Ornament for Horses Forelock

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 9 1/2 inches (34.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Le Rideau, Gaite Montparnasse

Creator:: Walter Richard Sickert, 1860–1942
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and pen and black ink on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 9 7/8 x 12 3/4 inches (25.1 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Cattle on a Boat

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Thatched Cottage

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Night Despatch Rider - Tea in a Café

Creator:: Keith Vaughan, 1912–1977
Date:: 1943
Materials & Techniques:: Gouache, watercolor, wax crayon, black wash, pen and black ink, and masking tape on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 1/8 x 12 3/16 inches (33.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Chalfont Lodge, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper
Dimensions:: Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Village of Kirkstall, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Two Heads in a Roundel

Creator:: attributed to John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 x 4 3/4 inches (12.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Olivia Returns to Her Family

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. London Cries: Fun upon Fun

Creator:: Paul Sandby, 1731–1809
Date:: 1759
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Raree Show

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Fireworks Display

Creator:: John Wilson Carmichael, 1799–1868
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Design for Medal: Both Hands Fil'd for Britain

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink over graphite on medium, slightly textured, beige laid paper, mounted on moderately thick, moderately textured, cream laid paper, with watercolor and pen, with black and red ink border lines
Dimensions:: Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Fisherfolk with Baskets and Nets

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:: Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Preparing to lay eel traps

Creator:: J. Tobin, active 1776
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Assignation

Creator:: Johann Heinrich Ramberg, 1763–1840
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ossie Seated

Creator:: David Hockney, born 1937
Date:: 1966
Materials & Techniques:: Pen and black ink and colored pencil on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 3/4 x 16 1/8in. (45.1 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

67. Piano Recital

Creator:: Ceri Richards, 1903–1971
Date:: 1943
Materials & Techniques:: Watercolor, pen and black ink, pastel, scratching out and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

68. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Drunken Nurse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 6 11/16 inches (14.6 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Morning

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Mid-Day

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 3/16 inches (18.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Stable Boy Holding a Horse in a Landscape

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Cuckold Departs for the Hunt

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Going Home

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and black ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/2 × 12 inches (24.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Riders, Figures and a Dog

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Figures with a Wagon and Horses

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Evading the Toll

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Artist at his Easel

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Remarks in Passing

Creator:: Edmund J. Sullivan, 1869–1933
Date:: 1932
Materials & Techniques:: Watercolor and graphite; verso: graphite and pen and black ink on moderately think, smooth, cream wove paper
Dimensions:: Sheet: 10 × 15 inches (25.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. Albert Gold

92. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 4 1/2 inches (12.1 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. An Allegory of America Carrying the Cap of Liberty

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 2 1/16 inches (8.3 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Shelter for Cattle

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques black ink

On-site Access Accessible by appointment in the Study Room

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Search Results

1. The Timber Wain

2. Grotesque Male Head

3. Leeds

4. Rome from Monte Mario

5. The Shepherd, from Songs of Innocence

6. Spring, from Songs of Innocence

7. Near Khan Yunas

8. Unidentified Periodical / Play Illustration

9. Unidentified Periodical / Play Illustration

10. Unidentified Periodical / Play Illustration

11. Unidentified Periodical / Play Illustration

12. Unidentified Periodical/Play Illustration

13. Prague

14. Untitled (one of three)

15. Untitled (one of three)

16. The Arrival of Ferries at London Bridge (?)

17. The Great Court, Trinity College, Cambridge

18. A Sailing Barge being loaded with Hay, December 1827

19. Donnybrook Fair, 1782

20. Welsh Fisherwomen

21. Bucks of the First Head

22. The Recruiting Officer

23. Rowlandson and Wigstead on Tour

24. Encampment Scene

25. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

26. Holbein's Gateway and Jones's Banqueting House, Whitehall...

27. A Decorative Object

28. Jeytie Lifting Weights

29. Mahadji Scindia in his Tent

30. Woman Bending over Basket

31. Keilghee or Ornament for Horses Forelock

32. Le Rideau, Gaite Montparnasse

33. Cattle on a Boat

34. The Thatched Cottage

35. Night Despatch Rider - Tea in a Café

36. Chalfont Lodge, Buckinghamshire

37. The Village of Kirkstall, Yorkshire

38. Two Heads in a Roundel

39. Olivia Returns to Her Family

40. London Cries: Fun upon Fun

41. A Raree Show

42. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

43. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

44. Street Scene at Stratford by Bow

45. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

46. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

47. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

48. The Smock Exposed

49. The Reconcilation

50. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

51. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

52. Hogarth Drawing Sarah Malcolm

53. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

54. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

55. Hogarth Sitting to Roubiliac for His Bust

56. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

57. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

58. The Eleventh Hour

59. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

60. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

61. A Fireworks Display

62. Design for Medal: Both Hands Fil'd for Britain

63. Fisherfolk with Baskets and Nets

64. Preparing to lay eel traps

65. The Assignation

66. Ossie Seated

67. Piano Recital

68. A Ball at Scarborough

69. Haymaking

70. The Drunken Nurse

71. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

72. Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]

73. Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]