Materials & Techniques: black ink / Date: 1793 - YCBA Collections Search Search Results

1. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Albion's Angel; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. America, A Prophecy; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Boy Playing a Drum in the Garden of a Country House

Creator:: William Henry Pyne, 1769–1843
Date:: 1793
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Indra Sabha Temple at Ellora, Exterior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink, gray wash and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sarvanubhuti Relief Sculpture in Indra Sabha Temple, Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Temple Complex of Great Chaitya and Viharas at Karla, Ekvira Devi Temple at Right

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash, pen and black ink, black chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 × 21 3/8 inches (41.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Waterfall at Dhumar Lena, Dry Except in the Rains

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 38 inches (30.2 × 96.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Valley and Village of Verul taken from Donkhamb

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Watercolor and black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 23 1/2 inches (48.6 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dhumar Lena Temple at Ellora, Interior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Shiva and Parvati Playing Chaupar, Relief Sculpture at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Janwasa Temple at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Kailasa Temple at Ellora, Exterior View from the Entrance

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Great Chaitya Hall at Karla

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 33 1/4 inches (63.8 × 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Tin Thal Temple at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dashavatara Temple at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Kailasa Temple at Ellora, Exterior View from the Northeast

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink, gray wash and watercolor on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 26 1/2 inches (30.5 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Vishvakarma Temple Chaitya Hall at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, black chalk, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 11 7/8 inches (48.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Indra Sabha Temple at Ellora, Interior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Vishvakarma Temple at Ellora, Exterior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink; squared and numbered in graphite for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Jagannatha Sabha Temple at Ellora, Exterior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Chota Kailasa Temple at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Kailasa Temple at Ellora, Exterior Side View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 7/8 inches (28.3 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Indra Sabha Temple at Ellora, Upper Level of East-Facing Cave

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Watercolor, graphite, gouache, and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Do Thal Temple at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 19 inches (26.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ravana Shaking Mount Kailasa below Shiva and Parvati, Relief Sculpture at Ellora

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Jagannatha Sabha Temple at Ellora, Interior View

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Wooded Landscape with Figures Round a Cooking Pot

Creator:: Thomas Hand, died 1804
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Clare College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Gateway of an Old Fort, Benares

Creator:: Lt. John Ritso, 1772–1866
Date:: 1793 or 179(8)
Materials & Techniques:: Watercolor, brown ink and black ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Architectural Drawing of a Building with Astrological Symbols

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, graphite, watercolor and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 22 inches (31.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Straits of Sunda

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Procession in a Church

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Pen and black ink with gouache and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/4 inches (10.8 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. An Italian Fete: Figures on Terrace of a Palazzo

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and gouache on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 6 1/4 × 8 1/4 inches (15.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Fisherpeople on a Junk

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of the Convent of the Clarisses at Valenciennes after the Seige

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sirree

Creator:: Samuel Davis, 1760–1819
Date:: July 1793
Materials & Techniques:: Watercolor and pen and brown ink, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. East View of the Forts Jellali and Merani, Muskat

Creator:: Thomas Daniell, 1749–1840
Date:: 1793
Materials & Techniques:: Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 14 x 18 1/4 inches (35.6 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View in the Province of Kiang-nan, China, Taken from Nature

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Three Views of the Strait of Sunda

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Watering Place of Nauka Islands, off Banca, 1 May

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Seascape with Two Boats

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques black ink

Date 1793

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1. Visions of the Daughters of Albion; Frontispiece (Plate 1)

2. "And none but Bromian can hear my lamentations..." (Plate 6)

3. Visions of the Daughters of Albion; Title Page (Plate 2)

4. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

5. Albion's Angel; Frontispiece (Plate 1)

6. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

7. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

8. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

9. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

10. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

11. "What time the thirteen Governors that England sent convene..." (Plate 15)

12. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

13. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

14. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

15. America, A Prophecy; Title Page (Plate 2)

16. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

17. "Silent as despairing love, and strong as jealousy..." (Plate 4)

18. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

19. "Appear to the Americans upon the cloudy night..." (Plate 6)

20. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

21. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

22. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

23. A Boy Playing a Drum in the Garden of a Country House

24. Indra Sabha Temple at Ellora, Exterior View

25. Sarvanubhuti Relief Sculpture in Indra Sabha Temple, Ellora

26. Temple Complex of Great Chaitya and Viharas at Karla, Ekvira Devi Temple at Right

27. The Waterfall at Dhumar Lena, Dry Except in the Rains

28. Valley and Village of Verul taken from Donkhamb

29. Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

30. Dhumar Lena Temple at Ellora, Interior View

31. Shiva and Parvati Playing Chaupar, Relief Sculpture at Ellora

32. Janwasa Temple at Ellora

33. Kailasa Temple at Ellora, Exterior View from the Entrance

34. Great Chaitya Hall at Karla

35. Tin Thal Temple at Ellora

36. Dashavatara Temple at Ellora

37. Kailasa Temple at Ellora, Exterior View from the Northeast

38. Vishvakarma Temple Chaitya Hall at Ellora

39. Indra Sabha Temple at Ellora, Interior View

40. Vishvakarma Temple at Ellora, Exterior View

41. Jagannatha Sabha Temple at Ellora, Exterior View

42. Chota Kailasa Temple at Ellora

43. Kailasa Temple at Ellora, Exterior Side View

44. Indra Sabha Temple at Ellora, Upper Level of East-Facing Cave

45. Do Thal Temple at Ellora

46. Ravana Shaking Mount Kailasa below Shiva and Parvati, Relief Sculpture at Ellora

47. Jagannatha Sabha Temple at Ellora, Interior View

48. Wooded Landscape with Figures Round a Cooking Pot

49. Clare College, Cambridge

50. A Park Landscape with Shepherd and Sheep

51. Gateway of an Old Fort, Benares

52. Architectural Drawing of a Building with Astrological Symbols

53. Straits of Sunda

54. The New Walk, York

55. Plan of Painted Chamber

56. Side Window, North, Painted Chamber

57. North Side, Painted Chamber

58. East End, Painted Chamber

59. Door on South Side of Painted Chamber

60. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

61. Paintings on the Wall by H in Plan

62. Continuation of the Preceeding Ornaments

63. East Front of Painted Chamber

64. Procession in a Church

65. An Italian Fete: Figures on Terrace of a Palazzo

66. Fisherpeople on a Junk

67. View of the Convent of the Clarisses at Valenciennes after the Seige

68. View of St. Nicholas Church at Valenciennes after the Siege

69. Sirree

70. East View of the Forts Jellali and Merani, Muskat

71. View in the Province of Kiang-nan, China, Taken from Nature

72. Three Views of the Strait of Sunda

73. Watering Place of Nauka Islands, off Banca, 1 May

74. Seascape with Two Boats