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Materials & Techniques black ink

Date 1833

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1. The Timber Wain

The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Horn Lantern, July 25, 1833

A Horn Lantern, July 25, 1833

Creator:: Edward William Cooke, 1811–1880
Date:: 1833
Materials & Techniques:: Graphite, pen and black ink, and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/16 × 7 inches (13.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ducks on a Pond

Ducks on a Pond

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1833
Materials & Techniques:: Watercolor, pen and black ink, brown ink, graphite, gum arabic, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 1/2 × 4 inches (6.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Design for Grosvenor House, London: Plan for Rebuilding the South Front

Design for Grosvenor House, London: Plan for Rebuilding the South Front

Creator:: Thomas Cundy, 1790–1867
Date:: 1833
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, medium, cream wove paper
Dimensions:: Sheet: 9 × 14 3/4 inches (22.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Design for Grosvenor House, London: Plan for Rebuilding the South Front

Design for Grosvenor House, London: Plan for Rebuilding the South Front

Creator:: Thomas Cundy, 1790–1867
Date:: 1833
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, medium, cream wove paper
Dimensions:: Sheet: 6 13/16 × 6 11/16 inches (17.3 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection