"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
3
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
4
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
5
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
7
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
8
Luigi Balugani, 1737–1770
Ensete ventricosum
undated
9
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
10
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
11
Gangaram Chintaman Navgire Tambat, active 1790s
Man with a Yellow Shawl Sitting Crosslegged
undated
12
Gangaram Chintaman Navgire Tambat, active 1790s
Devotee in a Green Turban
between 1790 and 1796
13
James Wales, 1746 or 1747–1795
A Nautch or Dance
between 1790 and 1795
14
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
17
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
19
Sawrey Gilpin, 1733–1807
A Greyhound
1760
20
Sawrey Gilpin, 1733–1807
A Cottage
1760
21
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
22
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
23
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
24
Samuel Ireland, 1744–1800
Joiner's Hall
between 1794 and 1800
25
Samuel Ireland, 1744–1800
Dyer's Hall
between 1794 and 1800
26
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
27
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset
undated
28
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
29
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
30
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
31
Gangaram Chintaman Navgire Tambat, active 1790s
Self-Portrait as a Devotee
between 1790 and 1796
32
Robert Mabon, died 1798
Persian Sword Hilt Set with Diamonds
undated
33
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
34
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
35
John Maurer, active 1713–1761
The Mansion House
undated
36
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
37
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
38
Dirk Langendyck, 1748–1805
British Troops Disembarking
1799
39
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
40
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
41
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
42
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
43
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
44
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
45
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
46
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
47
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
48
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
49
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
50
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
51
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
52
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
53
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
54
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
55
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
56
unknown artist
Portrait of Moses Kean
undated
57
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
58
Samuel Ireland, 1744–1800
Barnard's Inn
between 1794 and 1800
59
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
60
Samuel Ireland, 1744–1800
The Inner Temple
between 1794 and 1800
61
Samuel Ireland, 1744–1800
Lincoln's Inn Hall and Chapel
between 1794 and 1800
62
Samuel Ireland, 1744–1800
Temple Church
between 1794 and 1800
63
Samuel Ireland, 1744–1800
Staple Inn
between 1794 and 1800
64
Samuel Ireland, 1744–1800
Clifford's Inn
between 1794 and 1800
65
Samuel Ireland, 1744–1800
Guildhall
between 1794 and 1800
66
Samuel Ireland, 1744–1800
Painter's Hall
between 1794 and 1800
67
Samuel Ireland, 1744–1800
Clement's Inn
between 1794 and 1800
68
Samuel Ireland, 1744–1800
Blacksmith's Hall
between 1794 and 1800
69
Samuel Ireland, 1744–1800
Currier's Hall
between 1794 and 1800
70
Samuel Ireland, 1744–1800
Southwest View of Middle Temple
between 1794 and 1800
71
Samuel Ireland, 1744–1800
Sergeant's Inn
between 1794 and 1800
72
Samuel Ireland, 1744–1800
Gray's Inn
between 1794 and 1800
73
Samuel Ireland, 1744–1800
Middle Temple Gate
between 1794 and 1800
74
Samuel Ireland, 1744–1800
Barber's Hall
between 1794 and 1800
75
Samuel Ireland, 1744–1800
Garden Front of Stationer's Hall
between 1794 and 1800
76
Samuel Ireland, 1744–1800
Lion's Inn
between 1794 and 1800
77
Samuel Ireland, 1744–1800
Furnival's Inn
between 1794 and 1800
78
Samuel Ireland, 1744–1800
New Inn
between 1794 and 1800
79
Samuel Ireland, 1744–1800
Lincoln's Inn Gate
between 1794 and 1800
80
Samuel Ireland, 1744–1800
Brewer's Hall
between 1794 and 1800
81
Samuel Ireland, 1744–1800
Garden Front of Weaver's Hall
between 1794 and 1800
82
Samuel Ireland, 1744–1800
Rolls Chapel
between 1794 and 1800
83
Samuel Ireland, 1744–1800
Tallow Chandler's Hall
between 1794 and 1800
84
Samuel Ireland, 1744–1800
Westminster Hall
1798
85
Samuel Ireland, 1744–1800
North Front of Temple Hall
between 1794 and 1800
86
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
87
Gangaram Chintaman Navgire Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
88
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
89
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
90
Isaac Weld, 1774–1856
View of the Rock Bridge
between 1795 and 1797
91
Master of the Wire Line, 18th century
View of the Isle of Wight: Landscape with Figures
ca. 1800
92
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
93
Capt. Francis Grose, 1731–1791
Holy Island and Castle, Northumberland
undated
94
Capt. Francis Grose, 1731–1791
Mitford Castle, Northumberland
undated
95
Samuel Ireland, 1744–1800
Drawings for "Picturesque Views with an Historical Account of the Inns of Court in London and Westminster," London, 1800, Plus Eleven Unpublished Drawings
between 1794 and 1800
96
George Lambert, 1700–1765
Landscape with Two Men on a Road
undated
97
Stephen Riou, 1720–1780
Alzata della faciata d'una Casa per fare alla Villa
1752
98
Stephen Riou, 1720–1780
Il diritto della Facciata d'una Casa per fare alla Campagna
1752
99
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta