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Materials & Techniques black ink

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Period 18th century

Remove constraint Period: 18th century

Width [cm] 40

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Sir Robert Taylor Thames Ditton, Surrey: Design for Gothic Church
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
Thomas Rowlandson The Stable of an Inn
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
James Bruce Tomb of Juba II near Algiers
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
James Bruce Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
James Bruce Upright of the Niche at the Temple at Baalbec
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
unknown artist An Orchestra Rehearsing
unknown artist
An Orchestra Rehearsing
undated
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
Thomas Smith of Derby Chiaja of Naples from Posillipo
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
William Anderson A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
William Anderson, 1757–1837
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
Dominic Serres Barges Heading out to Sea
Dominic Serres, 1722–1793
Barges Heading out to Sea
1782
Edward Dayes Buildwas Abbey, Shropshire
Edward Dayes, 1763–1804
Buildwas Abbey, Shropshire
ca. 1790
Nicholas Thomas Dall Ceiling Design
Nicholas Thomas Dall, op.1748–, d.1777
Ceiling Design
1756
Thomas Daniell East View of the Forts Jellali and Merani, Muskat
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793