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Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Period 18th century-19th century

Remove constraint Period: 18th century-19th century

Height [cm] 25

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Leiston Abbey, Suffolk
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 x 8 11/16in. (17 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monks Carousing outside a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Battle Scene
Creator:
John Augustus Atkinson, 1775–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gum arabic on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, smooth, beige wove paper
Dimensions:
Mount: 9 7/8 × 7 13/16 inches (25.1 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: Rider and a Couple of Hounds Entering a Covert
Creator:
Samuel Alken, 1756–1815
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 15 3/4 inches (25.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling Palanquins
Creator:
Unknown artist (Company style)
Date:
ca. 1800
Materials & Techniques:
Watercolor, gouache, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 17 inches (24.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in memory of Richard J. Storr
A Grub Street Poet
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black, gray, and brown ink with gray wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 7 1/16 inches (24.8 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Graphite, pen and gray, brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 1/2 inches (25.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Harrison, 1744–1829
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 10 × 15 inches (25.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash on slightly textured, moderately thick, white wove paper
Dimensions:
Image: 9 13/16 × 8 3/8 inches (25 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection