Materials & Techniques: black ink / Period: 19th century / Width [cm]: 14 - YCBA Collections Search Search Results

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Materials & Techniques black ink

Period 19th century

Width [cm] 14

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

1804 to 1820

William Blake Jerusalem, Plate 56, "Then Los heaved...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 56, "Then Los heaved...."

1804 to 1820

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

Edward Lear Tough; 8:45 A.M., 25 Feb. 1867 (551)

Edward Lear, 1812–1888

Tough; 8:45 A.M., 25 Feb. 1867 (551)

1867

John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith The Smock Exposed

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith The Reconcilation

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith The Eleventh Hour

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon

John Martin, 1789–1854

The Daughters of Jerusalem Weeping by the Waters of Babylon

1834

unknown artist Landscape with Waterfall

unknown artist

Landscape with Waterfall

undated

Edward Calvert Lamb and Oxen in a Pastoral Landscape

Attributed to Edward Calvert, 1799–1883

Lamb and Oxen in a Pastoral Landscape

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth Drawing Sarah Malcolm

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith Hogarth Sitting to Roubiliac for His Bust

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

Queen Victoria Queen Anne

Attributed to Queen Victoria, 1819–1901

Queen Anne

1857

Alfred Henry Forrester Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

Alfred Henry Forrester, 1804–1872

Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

ca. 1845

John Ruskin Head of Athena, After a Greek Amphora

John Ruskin, 1819–1900

Head of Athena, After a Greek Amphora

undated

George Cruikshank Sketch for the Scene of a Battle

George Cruikshank, 1792–1878

Sketch for the Scene of a Battle

undated

George Augustus Sala Be it ever so Humble, There's no place like Home

George Augustus Sala, 1828–1895

Be it ever so Humble, There's no place like Home

undated

Augustus Welby Northmore Pugin The Annunciation

Print made by Augustus Welby Northmore Pugin, 1812–1852

The Annunciation

undated

Henry Shaw Italian Churches

Henry Shaw, 1800–1873

Italian Churches

undated