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Materials & Techniques black ink

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Period 19th century

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Subject Terms interior

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John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
J. Findlay Peter Callam & Elvira
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
Benjamin Ferrey Halle au Blé, - Interior
Benjamin Ferrey, 1810–1880
Halle au Blé, - Interior
undated
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
Benjamin Robert Haydon Studies of Napoleon, arms folded, with other figures
Benjamin Robert Haydon, 1786–1846
Studies of Napoleon, arms folded, with other figures
undated
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
John Kendall Sarcophagus in a Church
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
William Mulready Denial and Disappointment
William Mulready, 1786–1863
Denial and Disappointment
undated
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
Thomas Rowlandson The Exhibition Stare-Case, Somerset House
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
James Pollard Cottager's Hospitality to Travellers of The Coach Broke Down
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
Henry Thomas Alken Foxhunting: The Toast
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
Thomas Shotter Boys The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
Thomas Shotter Boys, 1803–1874
The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
1852
Sir Hubert von Herkomer Study of Women and Men Saying Grace, Before a Meal
Sir Hubert von Herkomer, 1849–1914
Study of Women and Men Saying Grace, Before a Meal
undated
unknown artist Sepulchral Chambers
unknown artist
Sepulchral Chambers
undated
Joseph Nash The Cartoon Gallery, Knole, Kent
Joseph Nash, 1808–1878
The Cartoon Gallery, Knole, Kent
1871
Joseph Nash Levens, Westmoreland, The Small Drawing Room
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
Augustus Welby Northmore Pugin Design for the Roof Truss, Rampisham Rectory
Augustus Welby Northmore Pugin, 1812–1852
Design for the Roof Truss, Rampisham Rectory
between 1846 and 1848
Augustus Welby Northmore Pugin Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
Augustus Welby Northmore Pugin, 1812–1852
Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
undated
unknown artist Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated