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Materials & Techniques black ink

Period 19th century

Subject Terms men

Joseph Mallord William Turner Rome from Monte Mario

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827

Jerusalem, Plate 100

1804 to 1820

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 29, "Then the Divine Vision...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 29, "Then the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Jerusalem, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

Jerusalem, Plate 1, Frontispiece

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 26, "Such Visions Have...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 51

Print made by William Blake, 1757–1827

Jerusalem, Plate 51

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 35, "Then the Divine hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 36, "Reuben returnd to his place...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 46, "Bath, mild Physician...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 46, "Bath, mild Physician...."

1804 to 1820

William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 47, "From Camberwell to Highgate...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 54, "In Great Eternity...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

William Blake Jerusalem, Plate 62, "Repose on me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

Richard Parkes Bonington Untitled (one of three)

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith The Reconcilation

John Thomas Smith, 1766–1833

The Reconcilation

1817

Walter Greaves Chelsea Bridge with Men in a Barge

Walter Greaves, 1846–1930

Chelsea Bridge with Men in a Barge

1860

John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

John Thomas Smith The Eleventh Hour

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

Sir Charles Barry Perspective View: the New Houses of Parliament

Sir Charles Barry, 1795–1860

Perspective View: the New Houses of Parliament

ca. 1840-1849

Lewis Vaslet The Spoiled Child, Scene III

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene III

ca. 1802

Lewis Vaslet The Spoiled Child, Scene VI

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene VI

ca. 1802

Sir John Gilbert Enter Malvolio, Crossgartered...

Sir John Gilbert, 1817–1897

Enter Malvolio, Crossgartered..

1863

Sir John Gilbert Apotheosis of Shakespeare's Characters

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

1871

Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere

Dante Gabriel Rossetti, 1828–1882

Illustration to the Maids of Elfen-Mere

1854

J. Findlay Sir Violet Sighaway & Mr. Villiers

J. Findlay, active 1825–1857

Sir Violet Sighaway & Mr. Villiers

undated

Michel Jean Cazabon Avenue and Entrance to St. James Barracks

Michel Jean Cazabon, 1813–1888

Avenue and Entrance to St. James Barracks

1857

Samuel Prout Coast Scene near Plymouth

Samuel Prout, 1783–1852

Coast Scene near Plymouth

undated

James Pollard The Meat Market

James Pollard, 1792–1867

The Meat Market

undated

George Shepheard The Village of Aldbury, Hertfordshire

George Shepheard, ca. 1770–1842

The Village of Aldbury, Hertfordshire

1816

John Martin Christ with Three Figures

Attributed to John Martin, 1789–1854

Christ with Three Figures

undated

unknown artist Moonlit Scene of Castle and Ships

unknown artist

Moonlit Scene of Castle and Ships

undated

John Martin Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

Attributed to John Martin, 1789–1854

Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

undated

John Martin The Stoning of Saint Stephen

Attributed to John Martin, 1789–1854

The Stoning of Saint Stephen

undated

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

Charles Williams The Union Club

Charles Williams, active 1796–1830

The Union Club

undated

Henry Monro High Street at Bushey, Hertfordshire

Henry Monro, 1791–1814

High Street at Bushey, Hertfordshire

1812

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent

Augustus Welby Northmore Pugin, 1812–1852

Window West End, South Aisle, Saint Vincent

undated

Edward Burne-Jones The Land of Beulah

Edward Burne-Jones, 1833–1898

The Land of Beulah

1881

George Sidney Shepherd The Times and Evening Mail Office

George Sidney Shepherd, 1784–1862

The Times and Evening Mail Office

1811

John Gantz The Puckally

John Gantz, 1772–1853

The Puckally

1828

John Gantz Palankeen Bearers

John Gantz, 1772–1853

Palankeen Bearers

1828

Thomas Rowlandson The Exhibition Stare-Case, Somerset House

Thomas Rowlandson, 1756–1827

The Exhibition Stare-Case, Somerset House

ca. 1800

John Doyle ('H.B.') A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

Print made by John Doyle ('H.B.'), 1797–1868

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume

1846

John Doyle ('H.B.') The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Print made by John Doyle ('H.B.'), 1797–1868

The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

1847

John Doyle ('H.B.') The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Print made by John Doyle ('H.B.'), 1797–1868

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

1847

John Doyle ('H.B.') Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Print made by John Doyle ('H.B.'), 1797–1868

Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

1847

John Doyle ('H.B.') Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Print made by John Doyle ('H.B.'), 1797–1868

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

1848

John Doyle ('H.B.') Another Saint Sebastian, Shot at by Cruel Archers

Print made by John Doyle ('H.B.'), 1797–1868

Another Saint Sebastian, Shot at by Cruel Archers

1847

John Doyle ('H.B.') An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

Print made by John Doyle ('H.B.'), 1797–1868

An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

1848

John Doyle ('H.B.') Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Print made by John Doyle ('H.B.'), 1797–1868

Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division

1848

John Doyle ('H.B.') "Concert Monstre" of "Musical Congress" Extraordinary!

Print made by John Doyle ('H.B.'), 1797–1868

"Concert Monstre" of "Musical Congress" Extraordinary!

1849

John Doyle ('H.B.') A Strong Case for Shortening the Hours of Labour

Print made by John Doyle ('H.B.'), 1797–1868

A Strong Case for Shortening the Hours of Labour

1848