<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Genre animal art

Remove constraint Genre: animal art

Width [cm] 20

Remove constraint Width [cm]: 20

Search Results

Testi di Madoqua (Antelope Head and Skulls)
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 7 3/4 inches (27 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 13/16 inches (14 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Hounds Began Suddenly to Howl in Chorus'
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 × 8 1/2 inches (29.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hounds in a Landscape
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, black ink, charcoal crayon, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 12 1/4 inches (36.4 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 7 11/16 inches (15.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 7 11/16 inches (14.3 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 3/4 inches (12.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Chestnut Horse at Exercise
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, graphite, and pen and black ink on medium, slightly textured, laid paper
Dimensions:
Contemporary drawn border: 6 11/16 × 8 inches (17 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Sea Serpent
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ringed Seal
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Watercolor, graphite, pen and black ink, and brown ink on thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 8 inches (14.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ringed Seal
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, black ink and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 15/16 × 7 7/8 inches (12.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Kracken, Supposed a Sepia or Cuttle Fish
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 15/16 inches (13.8 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Sea Serpent
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Pen and black ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 × 7 13/16 inches (13.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Brown Fur Seal
Creator:
A. Fussel, active 1838–1881
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Study of Two Frenzied Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, red ink, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 11/16 inches (13.2 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 7 3/4 inches (29.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Harp Seal

No cover image available
Creator:
unknown artist
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, black ink and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and red ink, black ink and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/16 × 8 inches (13.5 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection