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Materials & Techniques black ink

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The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures Harvesting
Creator:
William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spoiled Child, Scene V
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Youth in a Farmyard with Pigs and Poultry
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Going to School
Creator:
John Augustus Atkinson, 1775–1831
Date:
between 1801 and 1810
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 6 1/8 inches (19.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Chaise and Pair, With Post-Boy
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 14 3/4 inches (18.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection