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Materials & Techniques black ink

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William Henry Pyne Old London, View from St. James Park Looking East
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
John Glover Distant View of Greenwich
John Glover, 1767–1849
Distant View of Greenwich
undated
Thomas Hearne The Thames from the Ship Inn, Greenwich
Thomas Hearne, 1744–1817
The Thames from the Ship Inn, Greenwich
undated
Charles Gore A Large Church (Westminster Abbey) at Sunset
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
Alexander Nasmyth Westminster Abbey from Dean's Yard
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
Thomas Malton the Younger York Water Gate
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
Edward Dayes Queen Square, London
Edward Dayes, 1763–1804
Queen Square, London
1786
Michael "Angelo" Rooker The Admiralty Building from Whitehall
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
Edward Francis Burney View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated