Materials & Techniques: black ink / Associated Places: Milâs - YCBA Collections Search Search Results

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Materials & Techniques black ink

Associated Places Milâs

1. Details of a Composite Order from the Temple of Augustus at Mylasa

Details of a Composite Order from the Temple of Augustus at Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 1/16 inches (54 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Details of a Corinthian Order, Possibly from Mylasa

Details of a Corinthian Order, Possibly from Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/8 x 15 3/16 inches (53.7 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb

Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus

Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection