<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Work Type drawing

Remove constraint Work Type: drawing

Subject Terms fort

Remove constraint Subject Terms: fort

Search Results

Fort on a Rocky Outcrop
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 30 1/8 inches (55.2 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mary, Queen of Scots
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fort Candelaria, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Felucca in the Foreground with a Fort in the Background
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 7 1/4 inches (8.9 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund