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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkWork Type drawing
Remove constraint Work Type: drawingSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- A Cottage among Trees, Shoreham
- undated
2
- An Ancient Barn at Shoreham
- undated
3
- Cornfield and Church by Moonlight
- early 1830s
4
- The Timber Wain
- between 1833 and 1834
5
- Horses Fighting
- undated
6
- Barnard Castle
- ca. 1825
7
- Rome from Monte Mario
- ca. 1818
8
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
9
- Andernach
- 1817
10
- Lake Geneva and Mount Blanc
- 1802 to 1805
11
- Villa d'Este
- ca. 1796
12
- Catania
- 1847
13
- Bavella, Corsica
- ca. 1868
14
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
15
- Spring, from Songs of Innocence
- ca. 1795
16
- The Shepherd, from Songs of Innocence
- ca. 1795
17
- The Entrance Front of Hayley's House at Eartham
- 1801
18
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
27
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
28
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
29
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
30
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
31
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
32
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
33
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
37
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
38
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
39
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
40
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
41
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
42
- Jerusalem, Plate 76
- 1804 to 1820
43
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
46
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
47
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
48
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
49
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
50
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
51
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
52
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
53
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
54
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
55
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
56
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
57
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
58
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
59
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
60
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
61
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
62
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
63
- Monte delle Beatitudini
- ca. 1750
64
- View of the Ruined Theater of Aezani at Tjaden
- ca. 1750
65
- View of the Source of the Lycus River (Nahr el-Kelb)
- ca. 1751
66
- Gierusalemme
- ca. 1750
67
- Is'Tmo di Cizico unito al Continente
- ca. 1750
68
- Unfinished View of the Palatine in Rome
- ca. 1750
69
- View of Ruins at Tivoli
- ca. 1750
70
- Reggio di Calabria
- ca. 1750
71
- View of a Passage Cut into a Hillside
- ca. 1750
72
- View of the Ruined Baths at Hadrian's Villa at Tivoli
- ca. 1750
73
- Valkoffa (Dombeya torrida)
- undated
74
- Temple of Jupiter Panhellenios at Aegina
- between 1764 and 1766
75
- Forest Scenery near Tamana
- 1857
76
- Part of Brind Gill in Ligburthwaite
- undated
77
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
78
- A Valley
- between 1775 and 1780
79
- Richmond
- undated
80
- Couple in a Farmyard
- 1782
81
- View of Steiereck on the Danube
- ca. 1636
82
- A View from St. Mary's, Southwark, Looking Towards Westminster
- ca. 1638
83
- Giant Oaks
- undated
84
- Heveningham Hall, Suffolk
- between 1782 and 1790
85
- Norwegian Landscape
- undated
86
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
87
- Preparing to lay eel traps
- undated
88
- The Fortune Teller
- 1827
89
- How to Ride without a Bridle
- undated
90
- Landscape with Sportsman and Guns
- 1779
91
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
92
- Pale Melancholy
- ca. 1804
93
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
94
- The Gypsy Fortune-Teller
- ca. 1758
95
- West Hill, the seat of D.H. Rucker
- undated
96
- Old London, View from St. James Park Looking East
- undated
97
- Halfway House, Sadler's Wells
- 1780
98
- Autumn Trees by a Lake
- undated
99
- The South Barracks, Gibraltar
- 1844
100
- The Severn-Henbury Village and Blaize Castle from the road in the Mill
- undated