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William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Jerusalem, Plate 56, "Then Los heaved...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 56, "Then Los heaved...."
1804 to 1820
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
Edward Lear Tough; 8:45 A.M., 25 Feb. 1867 (551)
Edward Lear, 1812–1888
Tough; 8:45 A.M., 25 Feb. 1867 (551)
1867
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
Samuel Wale Westminster Abbey
Samuel Wale, 1721–1786
Westminster Abbey
undated
Samuel Howitt Llama
Samuel Howitt, 1756–1822
Llama
undated
Sadanand Vyas Kun Futta or Ear Good Joguee
Sadanand Vyas, active late 18th century
Kun Futta or Ear Good Joguee
undated
Robert Mabon A Species of Wild Duck
Robert Mabon, died 1798
A Species of Wild Duck
undated
Robert Mabon A Hindu Devotee
Robert Mabon, died 1798
A Hindu Devotee
undated
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
unknown artist Landscape with Waterfall
unknown artist
Landscape with Waterfall
undated
Edward Calvert Lamb and Oxen in a Pastoral Landscape
Attributed to Edward Calvert, 1799–1883
Lamb and Oxen in a Pastoral Landscape
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
James Roberts Three Ladies Standing on a Terrace
James Roberts, active 1766–1809
Three Ladies Standing on a Terrace
undated
Alfred Henry Forrester Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
Alfred Henry Forrester, 1804–1872
Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
ca. 1845
Charles Tomkins Painter-Stainers’ Hall
Charles Tomkins, 1757–1823
Painter-Stainers’ Hall
1799
Samuel Wale St. Bartholomews Hospital
Samuel Wale, 1721–1786
St. Bartholomews Hospital
undated
John Ruskin Head of Athena, After a Greek Amphora
John Ruskin, 1819–1900
Head of Athena, After a Greek Amphora
undated
Edward Dayes St. Paul's Church, Covent Garden, after the fire
Edward Dayes, 1763–1804
St. Paul's Church, Covent Garden, after the fire
1795
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
Sawrey Gilpin Three Figures Mounted on Mules
Sawrey Gilpin, 1733–1807
Three Figures Mounted on Mules
undated
Samuel Alken P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
Samuel Alken, 1756–1815
P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
ca. 1785
William Alexander A Mandarin in his Court Dress
William Alexander, 1767–1816
A Mandarin in his Court Dress
undated
George Cruikshank Sketch for the Scene of a Battle
George Cruikshank, 1792–1878
Sketch for the Scene of a Battle
undated
Thomas Rowlandson Cottage in a Forest Clearing
Thomas Rowlandson, 1756–1827
Cottage in a Forest Clearing
undated
Samuel Wale London Bridge
Samuel Wale, 1721–1786
London Bridge
undated
Samuel Wale Lambeth Palace
Samuel Wale, 1721–1786
Lambeth Palace
undated
Samuel Wale Old Somerset House
Samuel Wale, 1721–1786
Old Somerset House
undated
George Augustus Sala Be it ever so Humble, There's no place like Home
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
Sawrey Gilpin Two Tigers
Sawrey Gilpin, 1733–1807
Two Tigers
1760
Robert Mabon A Sepoy Jamader
Robert Mabon, died 1798
A Sepoy Jamader
undated
Robert Mabon Moote Ram
Robert Mabon, died 1798
Moote Ram
undated
Gangaram Chintaman Tambat Mother Camel and her Calf
Attributed to Gangaram Chintaman Tambat, active 1790s
Mother Camel and her Calf
undated
Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee
Attributed to Gangaram Chintaman Tambat, active 1790s
Self-portrait of Gangaram as a Devotee
ca. 1790
Gangaram Chintaman Tambat Naked Child
Gangaram Chintaman Tambat, active 1790s
Naked Child
undated
Gangaram Chintaman Tambat Barechested Man Sitting Crosslegged
Gangaram Chintaman Tambat, active 1790s
Barechested Man Sitting Crosslegged
undated
Robert Mabon Sketch of Mahaji Sindia in his Tent
Robert Mabon, died 1798
Sketch of Mahaji Sindia in his Tent
undated
Gangaram Chintaman Tambat Devotee in a Green Turban
Gangaram Chintaman Tambat, active 1790s
Devotee in a Green Turban
ca. 1790
Gangaram Chintaman Tambat Man in a Red Turban
Attributed to Gangaram Chintaman Tambat, active 1790s
Man in a Red Turban
undated
Gangaram Chintaman Tambat Man with a Red Turban sitting Crosslegged
Attributed to Gangaram Chintaman Tambat, active 1790s
Man with a Red Turban sitting Crosslegged
undated
Gangaram Chintaman Tambat A Man holding a Scroll
Attributed to Gangaram Chintaman Tambat, active 1790s
A Man holding a Scroll
undated
Gangaram Chintaman Tambat Portrait of Gangaram as an Artist
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of Gangaram as an Artist
ca. 1790
Joseph Cartwright Single Hermaphrodite Brig, Stern Forward
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Stern Forward
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Henry Swinburne Gates of the Alhambra: Puerta de los Siete Suelos
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta de los Siete Suelos
1775 to 1776
unknown artist Views in the Levant: Man on Horseback Approaching Gateway to a Town
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
Mrs. P. D. H. Page Pineapple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 11 A]
Mrs. P. D. H. Page, 20th century
Pineapple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 11 A]
undated
unknown artist Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Red Dress
unknown artist
Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Red Dress
ca. 1785