Materials & Techniques: black ink / Work Type: watercolor / Subject Terms: woman

Francis Danby, 1793–1861

Oberon and Titania

1837

George Romney, 1734–1802

Howard Visiting a Prison

between 1790 and 1794

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

Print made by William Blake, 1757–1827

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake, 1757–1827

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Unidentified Periodical/Play Illustration

undated

Louis Philippe Boitard, active 1734–1760

Woman with a Blue Smock

undated

Louis Philippe Boitard, active 1734–1760

A Fisherwoman, Hands under Apron

undated

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

Thomas Shotter Boys, 1803–1874

Street Scene at Stratford by Bow

undated

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

Paul Sandby, 1731–1809

Couple in a Farmyard

1782

William Hamilton, 1751–1801

Hero and Leander

1801

James Hook, ca. 1772–1828

A Regency Pair

1802

Paul Sandby Munn, 1773–1845

Pale Melancholy

ca. 1804

unknown artist

Brighton Town and Church

ca. 1780

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene III

ca. 1802

Michel Vincent Brandoin, 1733–1807

Shepherd, Shepherdess and Dog

undated

James Roberts, active 1766–1809

Woman and Child

undated

Samuel Wale, 1721–1786

Murder in the Carriage (Probably a Design for The Tyburn Chronicle)

undated

Sir John Gilbert, 1817–1897

Enter Malvolio, Crossgartered..

1863

Thomas Hand, died 1804

Wooded Landscape with Figures Round a Cooking Pot

1793

Samuel Howitt, 1756–1822

Riders Outside an Inn

undated

Louis Philippe Boitard, active 1734–1760

A Young Woman in a Blue Dress

undated

unknown artist

Portrait of a Woman in a Black Dress

undated

Samuel Prout, 1783–1852

Coast Scene near Plymouth

undated

James Pollard, 1792–1867

The Meat Market

undated

William Young Ottley, 1771–1836

Prospero Summoning Ariel

ca. 1800

Jacob More, 1740–1793

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

1783

William Henry Pyne, 1769–1843

Cottage and Foot Bridge

1794

William Henry Pyne, 1769–1843

Poulterer's Shop

undated

Julius Caesar Ibbetson, 1759–1817

Study of a Woman Seated on a Horse

undated

Julius Caesar Ibbetson, 1759–1817

Woodcutter and His Family

undated

Francis Wheatley, 1747–1801

Adelaide

between 1785 and 1786

Francis Wheatley, 1747–1801

St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

undated

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

Dante Gabriel Rossetti, 1828–1882

Miss Elizabeth Siddal

between 1854 and 1855

Paul Sandby, 1731–1809

A Family in Hyde Park

undated

Johann Heinrich Ramberg, 1763–1840

The Assignation

undated

William Marlow, 1740–1813

A Street in Florence with the Duomo and Campanile in the Background

ca. 1765

Peter Oliver, 1589–1647

A Woman Seated and Holding an Image

undated

George Morland, 1763–1804

Peasants Resting

1795

Paul Sandby, 1731–1809

London Cries: Fun upon Fun

1759

Samuel Wale, 1721–1786

The Theatre-Goers

undated

Francis Wheatley, 1747–1801

The Rustic Lover

1786

Thomas Rowlandson, 1756–1827

Bucks of the First Head

ca. 1785

Kenneth Armitage, 1916–2002

Woman with Head on One Side

1953

Thomas Rowlandson, 1756–1827

The Doctor Overcame

undated

Thomas Rowlandson, 1756–1827

The Amorous Turk

undated

John Ruskin, 1819–1900

Head of Athena, After a Greek Amphora

undated

unknown artist

Female Figure: Cassandra?

undated

unknown artist

Lady Hamilton Standing

undated

Thomas Girtin, 1775–1802

The New Walk, York

ca. 1798

Thomas Rowlandson, 1756–1827

A Worn Out Debauchée

between 1790 and 1795