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William Blake Europe. A Prophecy; Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy; Frontispiece
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Joseph Cartwright Side View of Single Barque
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
Joseph Cartwright Single Brig (?) Another Sailing Vessel Against Outline of City on Background
Joseph Cartwright, c.1789–1829
Single Brig (?) Another Sailing Vessel Against Outline of City on Background
undated
unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Sir Frank Short The "Victory" Coming Up Channel
Print made by Sir Frank Short, 1857–1945
The "Victory" Coming Up Channel
1891
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
William Beilby Syon House
William Beilby, 1740–1819
Syon House
undated
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
William Beilby Alnwick Castle
William Beilby, 1740–1819
Alnwick Castle
undated
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
William Beilby Alnwick Keep
William Beilby, 1740–1819
Alnwick Keep
undated
William Beilby Gateway Alnwick
William Beilby, 1740–1819
Gateway Alnwick
1786
James Holland The Facade of the Royal Naval College, Greenwich
James Holland, 1799–1870
The Facade of the Royal Naval College, Greenwich
undated
Gangaram Chintaman Navgire Tambat Devotee in a Green Turban
Gangaram Chintaman Navgire Tambat, active 1790s
Devotee in a Green Turban
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Praying Man
Gangaram Chintaman Navgire Tambat, active 1790s
Praying Man
undated
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Sawrey Gilpin Disproportioned Horse Drawing
Sawrey Gilpin, 1733–1807
Disproportioned Horse Drawing
ca. 1760
Sawrey Gilpin Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
Sawrey Gilpin, 1733–1807
Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
between 1768 and 1769
Pierre-Etienne Falconet George Stubbs
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
unknown artist South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
unknown artist
South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
undated
George Richmond Portrait of Samuel Palmer, February 5, 1828
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
Johann Heinrich Ramberg The Assignation
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
William Wickham Unidentified House for Giles Hudson, Putney, Surrey: Entrance Front Elevation
William Wickham, born ca.1750
Unidentified House for Giles Hudson, Putney, Surrey: Entrance Front Elevation
undated
Mrs. P. D. H. Page Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Thomas Rowlandson The Return from the Hunt
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
Bhoj Raj Madhavrao Ballajirao Peshwa
Bhoj Raj, active eighteenth century
Madhavrao Ballajirao Peshwa
between 1760 and 1800
Michael Searles Design for a London Townhouse: Elevation
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
Michael Searles Design for a London Townhouse: Elevation
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
John Frederick Tayler "Fanny's Colt", July 26, 1886
John Frederick Tayler, 1802–1889
"Fanny's Colt", July 26, 1886
1886
Francis Towne Vauxhall Stairs, from Millbank, July 5, 1797
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
Thomas Malton the Younger Banqueting House, Whitehall
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
unknown artist Officers and Their Ladies Dancing to a Band of Musicians...
unknown artist
Officers and Their Ladies Dancing to a Band of Musicians..
undated
James Malton A Military Encampment in Hyde Park
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
Thomas Malton A View of the North Front of Chelsea Hospital
Thomas Malton, 1726–1801
A View of the North Front of Chelsea Hospital
undated
James Sowerby A Vole
James Sowerby, 1756–1822
A Vole
undated
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
John Collet A Game of Bowls
John Collet, ca. 1725–1780
A Game of Bowls
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Samuel Henry Gordon Alken Riders Taking a Fence
Samuel Henry Gordon Alken, 1810–1894
Riders Taking a Fence
undated
Samuel Henry Gordon Alken Foxhunting: Hunt Servants Leading Out Hounds
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Leading Out Hounds
undated
Samuel Howitt Rider Leading a Second Horse, Leaving the Grounds of a Country House
Samuel Howitt, 1756–1822
Rider Leading a Second Horse, Leaving the Grounds of a Country House
undated
Charles Turner A Race Meeting (Weighing In)
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
Evelyn Gibbs Three Figures Resting by a Roadside
Evelyn Gibbs, 1905–1991
Three Figures Resting by a Roadside
undated
unknown artist Design for a Panel with Coat of Arms
unknown artist
Design for a Panel with Coat of Arms
undated
John Buckler FSA The Dining Room at Newby Hall, Yorkshire
John Buckler FSA, 1770–1851
The Dining Room at Newby Hall, Yorkshire
1816
John Doyle ('H.B.') A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
Giovanni Battista Borra Ruins at Pergamon, Probably of the Amphitheatre
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
John Gendall The Hall, Rugby School
John Gendall, 1790–1865
The Hall, Rugby School
undated
unknown artist Portrait of Azim-ush-Shan
unknown artist
Portrait of Azim-ush-Shan
undated
Henry Courtney Selous Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
Charles Gore Lago Fucino
Charles Gore, 1729–1807
Lago Fucino
1776
Samuel Howitt Country Folk with a Child, Beside a River
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
William Lewin Warbler: Reed Wren
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
William Lewin Falcon: Hen Krestel
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790