Materials & Techniques: black ink / Height [cm]: 23 - YCBA Collections Search Search Results

1. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Ancient of Days; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief and white-line etching with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "To the Public. After my three years slumber..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Turning his back to the Divine Vision..." (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "By Satan's Watch-fiends tho' they search..." (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Thus Albion sat, studious of others..." (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "Bath, mild Physician of Eternity..." (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "The banks of the Thames are clouded..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "And formed into Four precious stones..." (Plate 59)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Such are Cathedrons golden Halls..." (Plate 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "And Rahab Babylon the Great..." (Plate 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "The Four Zoa's clouded rage..." (Plate 74)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ensete ventricosum

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 × 12 9/16 inches (22.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Single Brig with Union Jack and Three Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

51. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Creator:: Attributed to Dominic Serres, 1722–1793
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 1/2 inches (34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

52. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Studies of Drinking and Pouring Vessels, at the Vatican Library

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/8 inches (22.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Man with a Yellow Shawl Sitting Crosslegged

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Devotee in a Green Turban

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1790 and 1796
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Nautch or Dance

Creator:: James Wales, 1746 or 1747–1795
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Image: 8 7/8 × 12 1/4 inches (22.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of the Valley of Hierapolis (now Pamukkale)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 3/8 inches (38.2 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Mausolio d'Haliatte in Faccia a Sardes

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 7/16 inches (38.3 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Situazione Di Ceramo

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 x 21 7/16 inches (38.1 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of the Valley of Laodicea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Is'Tmo di Cizico unito al Continente

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 3/4 inches (37.8 x 55.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Greyhound

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, gray wash, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 9/16 × 9 5/16 inches (14.1 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

63. A Cottage

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 7/16 inches (17.1 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

64. East View of Furness Abbey

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 13/16 × 9 1/2 inches (17.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

65. Dwelling on a Riverbank

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

66. Swakeley House, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Design for London Bridge Approach

Creator:: Print made by Sir Robert Smirke the younger, 1781–1867
Date:: between 1827 and 1835
Materials & Techniques:: Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 8 7/8 x 14 7/8 inches (22.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plymouth Roads

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor, pen with black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 7/8 × 25 inches (22.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Homage to Nelson

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Valley

Creator:: Alexander Cozens, 1717–1786
Date:: between 1775 and 1780
Materials & Techniques:: Brushed black ink, graphite, brown wash and gray wash on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 9 × 9 1/2 inches (22.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Troubadors

Creator:: William Roberts, 1895–1980
Date:: ca. 1919
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 13 1/4 inches (23 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Mad House in the Suburbs of Vienna

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 7 11/16 inches (23.2 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 10 7/8 inches (23 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. H. Grant on Horseback

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 12 3/8 inches (24 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Joiner's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dyer's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Grouse Shooting: The Wrong Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, smooth, beige wove paper
Dimensions:: Mount: 9 7/8 × 7 13/16 inches (25.1 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Foxhunting: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Foxhunting: The Toast

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/8 inches (23.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Foxhunting: Rider Jumping a Stile

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Rider Leading a Second Horse, Leaving the Grounds of a Country House

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and gum arabic on moderately thick, slightly textured, cream wove paper, mounted on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Animals of the Cat Family, with a Bear and Foxes

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/16 × 18 3/4 inches (23.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tree amidst Houses

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

93. Gerolamo Tartarotti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 11 7/16 inches (23 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

95. Binsey Church, Oxford

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1775
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

96. Binsey Church, Oxford

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1775
Materials & Techniques:: Pen and black ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

97. Views in the Levant: Study of Figures From a Frieze or Panel

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and brown ink, black ink, and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 5/16 inches (43.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Rather a Dangerous Kind of Hug

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques black ink

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1. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

2. Jerusalem, Tailpiece (Plate 100)

3. "To labours mighty, with vast strength..." (Plate 11)

4. "Why wilt thou give to her a Body..." (Plate 12)

5. "One hair nor particle of dust..." (Plate 14)

6. "From every-one of the Four Regions..." (Plate 18)

7. "His Children exil'd from his breast..." (Plate 19)

8. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

9. "But when they saw Albion fall'n..." (Plate 20)

10. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

11. "What have I said? What have I done?..." (Plate 24)

12. The Ancient of Days; Frontispiece (Plate 1)

13. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

14. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

15. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

16. "Appear to the Americans upon the cloudy night..." (Plate 6)

17. "Shot from the heights of Enitharmon..." (Plate 17)

18. "The shrill winds wake!..." (Plate 6)

19. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

20. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

21. "To the Public. After my three years slumber..." (Plate 3)

22. "Turning his back to the Divine Vision..." (Plate 33)

23. "Then the Divine hand found the Two Limits..." (Plate 35)

24. "And One stood forth from the Divine Family..." (Plate 37)

25. "His face and bosom with petrific hardness..." (Plate 38)

26. "By Satan's Watch-fiends tho' they search..." (Plate 39)

27. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

28. "Los shudder'd at beholding Albion..." (Plate 40)

29. "Bath who is Legions..." (Plate 41)

30. "Thus Albion sat, studious of others..." (Plate 42)

31. "Bath, healing City!..." (Plate 45)

32. "Bath, mild Physician of Eternity..." (Plate 46)

33. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

34. "The banks of the Thames are clouded..." (Plate 5)

35. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

36. Chapter 3 Frontispiece (Plate 51)

37. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

38. "And formed into Four precious stones..." (Plate 59)

39. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

40. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

41. "Jehovah stood among the Druids..." (Plate 63)

42. "Was living: panting like a frighted wolf..." (Plate 7)

43. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

44. "Such are Cathedrons golden Halls..." (Plate 73)

45. "And Rahab Babylon the Great..." (Plate 75)

46. "The Four Zoa's clouded rage..." (Plate 74)

47. Chapter 4 Frontispiece (Plate 76)

48. Bavella, Corsica

49. Ensete ventricosum

50. Single Brig with Union Jack and Three Figures

51. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

52. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

53. Studies of Drinking and Pouring Vessels, at the Vatican Library

54. Man with a Yellow Shawl Sitting Crosslegged

55. Devotee in a Green Turban

56. A Nautch or Dance

57. View of the Valley of Hierapolis (now Pamukkale)

58. Mausolio d'Haliatte in Faccia a Sardes

59. Situazione Di Ceramo

60. View of the Valley of Laodicea

61. Is'Tmo di Cizico unito al Continente

62. A Greyhound

63. A Cottage

64. East View of Furness Abbey

65. Dwelling on a Riverbank

66. Swakeley House, Middlesex

67. Design for London Bridge Approach

68. Plymouth Roads

69. Homage to Nelson

70. A Valley

71. Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

72. Troubadors

73. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

74. Risposte Aprés Avoir Trompé la Parade du Poignard