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Materials & Techniques black ink

Height [cm] 23

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake The Ancient of Days; Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

The Ancient of Days; Frontispiece (Plate 1)

1794

William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Print made by William Blake, 1757–1827

"The red limb'd Angel siez'd in horror and torment..." (Plate 15)

1794

William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

1794

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

Luigi Balugani Ensete ventricosum

Luigi Balugani, 1737–1770

Ensete ventricosum

undated

Joseph Cartwright Single Brig with Union Jack and Three Figures

Joseph Cartwright, c.1789–1829

Single Brig with Union Jack and Three Figures

1821

Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Attributed to Dominic Serres, 1722–1793

Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

undated

James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

James Gwin, 1700–1769

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

1763

Sir Robert Smirke the younger Studies of Drinking and Pouring Vessels, at the Vatican Library

Sir Robert Smirke the younger, 1781–1867

Studies of Drinking and Pouring Vessels, at the Vatican Library

1802-1804

Gangaram Chintaman Navgire Tambat Man with a Yellow Shawl Sitting Crosslegged

Gangaram Chintaman Navgire Tambat, active 1790s

Man with a Yellow Shawl Sitting Crosslegged

undated

Gangaram Chintaman Navgire Tambat Devotee in a Green Turban

Gangaram Chintaman Navgire Tambat, active 1790s

Devotee in a Green Turban

between 1790 and 1796

James Wales A Nautch or Dance

James Wales, 1746 or 1747–1795

A Nautch or Dance

between 1790 and 1795

Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)

Giovanni Battista Borra, 1713–1770

View of the Valley of Hierapolis (now Pamukkale)

ca. 1750

Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes

Giovanni Battista Borra, 1713–1770

Mausolio d'Haliatte in Faccia a Sardes

ca. 1750

Giovanni Battista Borra Situazione Di Ceramo

Giovanni Battista Borra, 1713–1770

Situazione Di Ceramo

ca. 1750

Giovanni Battista Borra View of the Valley of Laodicea

Giovanni Battista Borra, 1713–1770

View of the Valley of Laodicea

ca. 1750

Giovanni Battista Borra Is'Tmo di Cizico unito al Continente

Giovanni Battista Borra, 1713–1770

Is'Tmo di Cizico unito al Continente

ca. 1750

Sawrey Gilpin A Greyhound

Sawrey Gilpin, 1733–1807

A Greyhound

1760

Sawrey Gilpin A Cottage

Sawrey Gilpin, 1733–1807

A Cottage

1760

Sawrey Gilpin East View of Furness Abbey

Sawrey Gilpin, 1733–1807

East View of Furness Abbey

undated

Sawrey Gilpin Dwelling on a Riverbank

Sawrey Gilpin, 1733–1807

Dwelling on a Riverbank

undated

Charles Tomkins Swakeley House, Middlesex

Charles Tomkins, 1757–1823

Swakeley House, Middlesex

undated

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

John Thomas Serres Plymouth Roads

John Thomas Serres, 1759–1825

Plymouth Roads

undated

Edward Francis Burney Homage to Nelson

Edward Francis Burney, 1760–1848

Homage to Nelson

undated

Alexander Cozens A Valley

Alexander Cozens, 1717–1786

A Valley

between 1775 and 1780

William Wickham Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

William Wickham, born ca.1750

Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

undated

William Roberts Troubadors

William Roberts, 1895–1980

Troubadors

ca. 1919

James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

James Gwin, 1700–1769

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

1763

James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard

James Gwin, 1700–1769

Risposte Aprés Avoir Trompé la Parade du Poignard

1763

Sir Robert Smirke the younger The Mad House in the Suburbs of Vienna

Sir Robert Smirke the younger, 1781–1867

The Mad House in the Suburbs of Vienna

1804

Mrs. P. D. H. Page Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

Mrs. P. D. H. Page, 20th century

Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

undated

Henry Thomas Alken H. Grant on Horseback

Possibly Henry Thomas Alken, 1785–1851

H. Grant on Horseback

undated

Samuel Ireland Joiner's Hall

Samuel Ireland, 1744–1800

Joiner's Hall

between 1794 and 1800

Samuel Ireland Dyer's Hall

Samuel Ireland, 1744–1800

Dyer's Hall

between 1794 and 1800

Henry Thomas Alken Grouse Shooting: The Wrong Sort

Henry Thomas Alken, 1785–1851

Grouse Shooting: The Wrong Sort

undated

Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

undated

Henry Thomas Alken The Leicestershire Hunt - A Struggle for the Start

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - A Struggle for the Start

undated

Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

undated

Thomas Baker of Leamington A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Attributed to Thomas Baker of Leamington, 1809–1864

A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

1848

Henry William Bunbury Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

Henry William Bunbury, 1750–1811

Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

undated

Henry Thomas Alken Foxhunting: The Death

Henry Thomas Alken, 1785–1851

Foxhunting: The Death

undated

Henry Thomas Alken Foxhunting: The Toast

Henry Thomas Alken, 1785–1851

Foxhunting: The Toast

undated

Samuel Henry Gordon Alken Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through

Samuel Henry Gordon Alken, 1810–1894

Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through

undated

Samuel Henry Gordon Alken Foxhunting: Rider Jumping a Stile

Samuel Henry Gordon Alken, 1810–1894

Foxhunting: Rider Jumping a Stile

undated

Samuel Howitt Rider Leading a Second Horse, Leaving the Grounds of a Country House

Samuel Howitt, 1756–1822

Rider Leading a Second Horse, Leaving the Grounds of a Country House

undated

Samuel Howitt Animals of the Cat Family, with a Bear and Foxes

Samuel Howitt, 1756–1822

Animals of the Cat Family, with a Bear and Foxes

undated

James Miller Tree amidst Houses

James Miller, active 1773–1814

Tree amidst Houses

undated

Francesco Bartolozzi Gerolamo Tartarotti

Print made by Francesco Bartolozzi, 1728–1815

Gerolamo Tartarotti

1763

Capt. Francis Grose A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset

Capt. Francis Grose, 1731–1791

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset

undated

Capt. Francis Grose Binsey Church, Oxford

Capt. Francis Grose, 1731–1791

Binsey Church, Oxford

1775

Capt. Francis Grose Binsey Church, Oxford

Capt. Francis Grose, 1731–1791

Binsey Church, Oxford

1775

unknown artist Views in the Levant: Study of Figures From a Frieze or Panel

unknown artist

Views in the Levant: Study of Figures From a Frieze or Panel

ca. 1785

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1834

John Doyle ('H.B.') The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Print made by John Doyle ('H.B.'), 1797–1868

The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

1847

John Doyle ('H.B.') Rather a Dangerous Kind of Hug

Print made by John Doyle ('H.B.'), 1797–1868

Rather a Dangerous Kind of Hug

1847