Materials & Techniques: black ink / Width [cm]: 14 - YCBA Collections Search Search Results

1. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence, Plate 16, "Night" (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 56, "Then Los heaved...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Tough; 8:45 A.M., 25 Feb. 1867 (551)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, white gouache, graphite, pen and brown ink and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/8 × 5 3/8 inches (5.4 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Westminster Abbey

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 5 1/2 inches (7.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Romney Marsh

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Romney Marsh

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 5 5/8 inches (12.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Llama

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 1/2 inches (19.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Kun Futta or Ear Good Joguee

Creator:: Sadanand Vyas, active late 18th century
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 5 1/2 inches (15.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Species of Wild Duck

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/8 × 7 1/4 inches (15.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Necklaces

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 5 5/8 inches (15.6 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Hindu Devotee

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 1/8 inches (17.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Landscape with Waterfall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brushed black ink, white gouache, and graphite; verso: pen and black ink and gray wash on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 1/8 × 5 1/2 inches (18.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 5/16 × 5 1/2 inches (18.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Lamb and Oxen in a Pastoral Landscape

Creator:: Attributed to Edward Calvert, 1799–1883
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium slightly textured beige wove paper
Dimensions:: Sheet: 5 7/8 x 5 1/2 inches (14.9 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 5 3/8 inches (28.6 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 11 7/8 × 5 5/8 inches (30.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 10 1/2 × 5 5/8 inches (26.7 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 6 1/8 × 5 9/16 inches (15.6 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Head of a Man with a Beard and Long Hair in the Wind

Creator:: Samuel De Wilde, 1748–1832
Date:: 1786
Materials & Techniques:: Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Queen Anne

Creator:: Attributed to Queen Victoria, 1819–1901
Date:: 1857
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 5/16 inches (17.1 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Three Ladies Standing on a Terrace

Creator:: James Roberts, active 1766–1809
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 × 5 1/2 inches (10.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

Creator:: Alfred Henry Forrester, 1804–1872
Date:: ca. 1845
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 5 3/8 inches (18.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Painter-Stainers’ Hall

Creator:: Charles Tomkins, 1757–1823
Date:: 1799
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Bartholomews Hospital

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Head of Athena, After a Greek Amphora

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, gouache and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 5 5/8 inches (21 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

55. St. Paul's Church, Covent Garden, after the fire

Creator:: Edward Dayes, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Landscape with Footbridge and Large Tree

Creator:: George Smith, 1714–1776
Date:: undated
Materials & Techniques:: Graphite and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 5/8 inches (11.1 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Design for a Frontispiece: Group of Allegorical Figures

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:: Mount: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Design for a Medal: Boths Hand Fil'd for Britain

Creator:: Hubert-François Gravelot, 1699–1773
Date:: between 1734 and 1736
Materials & Techniques:: Pen and black ink, pen and red ink, graphite with red chalk, squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, and pen, with black and red ink border lines
Dimensions:: Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Port Mahon

Creator:: Hubert-François Gravelot, 1699–1773
Date:: between 1756 and 1773
Materials & Techniques:: Pen and black ink, pen and brown ink, brown wash, gray wash, watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Design for Funerary Monument

Creator:: John Eckstein, 1735–1818
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 5 1/2 inches (23.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Design for an Engraving: Battle of Troy with the Trojan Horse

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:: Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Design for a Vignette: The King of France Surrounded by Courtiers

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 11 inches (28.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Figures with a Wagon and Horses

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Three Figures Mounted on Mules

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 5 5/8 inches (12.7 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle

Creator:: Samuel Alken, 1756–1815
Date:: ca. 1785
Materials & Techniques:: Pen and black ink. watercolor and graphite on moderately thick, cream laid paper
Dimensions:: Sheet: 7 × 5 1/2 inches (17.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Design for a Cartouche

Creator:: Attributed to Augustin Heckel, 1690–1770
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:: Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Mandarin in his Court Dress

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 5 1/2 inches (20.3 × 13.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sketch for the Scene of a Battle

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 7 7/8 x 8 inches (20 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

76. Cottage in a Forest Clearing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. London Bridge

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Lambeth Palace

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Old Somerset House

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Be it ever so Humble, There's no place like Home

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

81. Two Tigers

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 x 5 7/8in. (17.5 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

82. Two Full-Length Figures

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Brushed black ink on thin, slightly textured, blue wove paper
Dimensions:: Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Four Studies of Dancing Figures

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Brushed black ink on thin, slightly textured, blue wove paper
Dimensions:: Sheet: 8 x 5 3/8 inches (20.3 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Five Studies of Dancing Figures

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Brushed black ink on thin, slightly textured, blue wove paper
Dimensions:: Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Dancing Figure

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Brushed black ink on thin, slightly textured, blue wove paper
Dimensions:: Sheet: 8 x 5 5/8 inches (20.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. A Sepoy Jamader

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 3/8 inches (17.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Moote Ram

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 5 3/8 inches (20 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Mother Camel and her Calf

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 5 5/8 inches (13.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Self-portrait of Gangaram as a Devotee

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor, gouache, graphite, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Naked Child

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 3/8 inches (17.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Barechested Man Sitting Crosslegged

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 5 11/16 inches (18.1 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Sketch of Mahaji Sindia in his Tent

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Devotee in a Green Turban

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Man in a Red Turban

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Man with a Red Turban sitting Crosslegged

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 11/16 inches (16.5 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Man holding a Scroll

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 3/8 inches (20 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Portrait of Gangaram as an Artist

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 × 5 3/8 inches (20.3 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Single Hermaphrodite Brig, Stern Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 15 3/16 × 17 inches (38.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

99. The Arts

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 7/8 × 5 5/8 inches (9.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

100. Bacchanalia

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 1/2 inches (11.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

YCBA Collections Search

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Materials & Techniques black ink

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1. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

2. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

3. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

4. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

5. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

6. Songs of Innocence, Plate 16, "Night" (Bentley 20)

7. Jerusalem, Plate 56, "Then Los heaved...."

8. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

9. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

10. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

11. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

12. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

13. Tough; 8:45 A.M., 25 Feb. 1867 (551)

14. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

15. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

16. The Smock Exposed

17. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

18. The Reconcilation

19. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

20. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

21. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

22. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

23. The Eleventh Hour

24. Westminster Abbey

25. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

26. Romney Marsh

27. Romney Marsh

28. Llama

29. Kun Futta or Ear Good Joguee

30. A Species of Wild Duck

31. Necklaces

32. A Hindu Devotee

33. The Daughters of Jerusalem Weeping by the Waters of Babylon

34. Landscape with Waterfall

35. Design for a London Townhouse: Elevation

36. Lamb and Oxen in a Pastoral Landscape

37. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

38. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

39. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

40. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

41. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

42. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

43. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

44. Head of a Man with a Beard and Long Hair in the Wind

45. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

46. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

47. Hogarth Drawing Sarah Malcolm

48. Hogarth Sitting to Roubiliac for His Bust

49. Queen Anne

50. Three Ladies Standing on a Terrace

51. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

52. Painter-Stainers’ Hall

53. St. Bartholomews Hospital

54. Head of Athena, After a Greek Amphora

55. St. Paul's Church, Covent Garden, after the fire

56. Landscape with Footbridge and Large Tree

57. Design for a Frontispiece: Group of Allegorical Figures

58. Design for a Medal: Boths Hand Fil'd for Britain

59. Port Mahon

60. Drawing for a Frontispiece: "The Toast"

61. Design for Funerary Monument

62. Design for an Engraving: Battle of Troy with the Trojan Horse

63. Design for a Vignette: The King of France Surrounded by Courtiers

64. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

66. Figures with a Wagon and Horses

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

68. Plan of Painted Chamber

69. Door-way in Wall of South Precints of Westminster Abbey

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

71. Three Figures Mounted on Mules

72. P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle

73. Design for a Cartouche

74. A Mandarin in his Court Dress