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Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Henry Swinburne Sketches for Capitals of Columns and Mosaic Squares at Alhambra
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
undated
Aubrey Vincent Beardsley A Large Christmas Card
Aubrey Vincent Beardsley, 1872–1898
A Large Christmas Card
1895
Sir Frank Short Victory Returning from Trafalgar
Sir Frank Short, 1857–1945
Victory Returning from Trafalgar
undated
Benjamin Ferrey Halle au Blé, - Interior
Benjamin Ferrey, 1810–1880
Halle au Blé, - Interior
undated
Gangaram Chintaman Navgire Tambat Man in a Red Turban Sitting Crosslegged
Gangaram Chintaman Navgire Tambat, active 1790s
Man in a Red Turban Sitting Crosslegged
undated
Gangaram Chintaman Navgire Tambat Portrait of a Woman, possibly Bibi Amber Kaur
Gangaram Chintaman Navgire Tambat, active 1790s
Portrait of a Woman, possibly Bibi Amber Kaur
between 1790 and 1796
Rev. William Gilpin Landscape with House at the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
Joseph Cartwright Side View of Two Naval Jackets; Masters and Commanders
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
William Alexander A Raree Show
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
Sir George Howland Beaumont seventh Baronet Part of Brind Gill in Ligburthwaite
Sir George Howland Beaumont seventh Baronet, 1753–1827
Part of Brind Gill in Ligburthwaite
undated
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
Paul Sandby Girl with Packhorse
Paul Sandby, 1731–1809
Girl with Packhorse
undated
James Miller View of a Building with Chimneys
James Miller, active 1773–1814
View of a Building with Chimneys
undated
James Miller House With Tree
James Miller, active 1773–1814
House With Tree
undated
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
William Pars Measured Drawing of Sculpture in Gymnasium at Ephesus
William Pars, 1742–1782
Measured Drawing of Sculpture in Gymnasium at Ephesus
undated
Charles Hamilton Smith Senegalese Wolf or Grey Jackal
Charles Hamilton Smith, 1776–1859
Senegalese Wolf or Grey Jackal
ca. 1837
Charles Hamilton Smith New Holland Dingo
Charles Hamilton Smith, 1776–1859
New Holland Dingo
ca. 1837
Adelaide Claxton Indecision
Adelaide Claxton, 1858–1905
Indecision
undated
Adelaide Claxton The Decision
Adelaide Claxton, 1858–1905
The Decision
undated
Charles Hamilton Smith English Draught Horse
Charles Hamilton Smith, 1776–1859
English Draught Horse
ca. 1837
Charles Hamilton Smith Marengo, Bonaparte's Arab
Charles Hamilton Smith, 1776–1859
Marengo, Bonaparte's Arab
ca. 1837
Charles Hamilton Smith The English Race-Horse
Charles Hamilton Smith, 1776–1859
The English Race-Horse
ca. 1837
Charles Hamilton Smith The Bornou Race
Charles Hamilton Smith, 1776–1859
The Bornou Race
ca. 1837
Charles Hamilton Smith Asinus Hippagrus The Yo-To-Tze
Charles Hamilton Smith, 1776–1859
Asinus Hippagrus The Yo-To-Tze
ca. 1837
Charles Hamilton Smith The Tarpan. Wild Horse. Native to Russia
Charles Hamilton Smith, 1776–1859
The Tarpan. Wild Horse. Native to Russia
ca. 1837
Charles Hamilton Smith The Koomrah Horse
Charles Hamilton Smith, 1776–1859
The Koomrah Horse
ca. 1837
Charles Hamilton Smith Colt Third Issue of Brood Mare and Second by the Black Arab
Charles Hamilton Smith, 1776–1859
Colt Third Issue of Brood Mare and Second by the Black Arab
ca. 1837
Charles Hamilton Smith Dongola Horse
Charles Hamilton Smith, 1776–1859
Dongola Horse
ca. 1837
Charles Hamilton Smith The Hlymar, or Hamur, Persian Wild Ass
Charles Hamilton Smith, 1776–1859
The Hlymar, or Hamur, Persian Wild Ass
ca. 1837
Charles Hamilton Smith Filley Bearing Marks of Quagga
Charles Hamilton Smith, 1776–1859
Filley Bearing Marks of Quagga
ca. 1837
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Augustus Welby Northmore Pugin Designs for Town Hall Mons [sic]
Augustus Welby Northmore Pugin, 1812–1852
Designs for Town Hall Mons [sic]
1851
William Alfred Delamotte Richmond Bridge
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
Robert Mabon Two Coorgs in their Proper Uniform
Robert Mabon, died 1798
Two Coorgs in their Proper Uniform
undated
Samuel Howitt Stag, Doe and Fawns
Samuel Howitt, 1756–1822
Stag, Doe and Fawns
undated
George Shepheard Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
James Ward Study of a Kid
James Ward, 1769–1859
Study of a Kid
1796
Edward Francis Burney Watley
Edward Francis Burney, 1760–1848
Watley
undated