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1. The Timber Wain

The Timber Wain
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Negadeh

Negadeh
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, and pen and black ink on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 2 3/16 x 6 3/8 inches (5.6 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Abu Seer

Abu Seer
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/16 x 6 3/16 inches (7.8 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Abu Seer

Abu Seer
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 3 3/8 x 6 5/16 inches (8.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 13, "And that toward Eden...."

Jerusalem, Plate 13, "And that toward Eden...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 29, "Then the Divine Vision...."

Jerusalem, Plate 29, "Then the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 27, "To the Jews...."

Jerusalem, Plate 27, "To the Jews...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 52, "To the Deists...."

Jerusalem, Plate 52, "To the Deists...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 78, "The Spectres of..."

Jerusalem, Plate 78, "The Spectres of..."
Creator:
William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 65, "To decide Two Worlds...."

Jerusalem, Plate 65, "To decide Two Worlds...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 66, "In awful pomp & gold...."

Jerusalem, Plate 66, "In awful pomp & gold...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 79, "My tents are fall'n...."

Jerusalem, Plate 79, "My tents are fall'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Jerusalem, Plate 80, "Encompassd by the frozen net...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. [One of] Miscellaneous Sketches in Wrapper

[One of] Miscellaneous Sketches in Wrapper
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 6 1/4 inches (22.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Part of Brind Gill in Ligburthwaite

Part of Brind Gill in Ligburthwaite
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 6 1/4 inches (23.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Man Asleep in a Long Blue Coat

Man Asleep in a Long Blue Coat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Fireworks Display

A Fireworks Display
Creator:
John Wilson Carmichael, 1799–1868
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Study of a Kid

Study of a Kid
Creator:
James Ward, 1769–1859
Date:
1796
Materials & Techniques:
Watercolor and white gouache with graphite and black ink on medium, slightly textured, beige laid paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 6 1/8 inches (13.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Stag, Doe and Fawns

Stag, Doe and Fawns
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Man in a Blue Cloak

Man in a Blue Cloak
Creator:
attributed to Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Halle au Blé, - Interior

Halle au Blé, - Interior
Creator:
Benjamin Ferrey, 1810–1880
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 6 1/8 inches (14.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Design for a Mythological Scene, with Jupiter and Juno

Design for a Mythological Scene, with Jupiter and Juno
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Design for Polychromatic Decoration of a Church

Design for Polychromatic Decoration of a Church
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 1/8 × 6 1/4 inches (25.7 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Black ink, brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
Creator:
John Nixon, ca. 1760–1818
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, brown ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 5/8 × 6 3/8 inches (34.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 × 6 1/8 inches (30.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 9 1/4 × 6 3/16 inches (23.5 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 7/8 × 6 3/8 inches (30.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite and pen with watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 1/4 × 6 1/8 inches (15.9 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A Raree Show

A Raree Show
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. A Tuarez of Ghraat (Ghat?) Fezzan (Libya)

A Tuarez of Ghraat (Ghat?) Fezzan (Libya)
Creator:
George Francis Lyon, 1795–1832
Date:
1819
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 6 1/4 inches (19.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Designs for Town Hall Mons [sic]

Designs for Town Hall Mons [sic]
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1851
Materials & Techniques:
Pen and black ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 6 1/4 inches (23.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. A Large Christmas Card

A Large Christmas Card
Creator:
Aubrey Vincent Beardsley, 1872–1898
Date:
1895
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, laid paper
Dimensions:
Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. Richmond Bridge

Richmond Bridge
Creator:
Attributed to William Alfred Delamotte, 1775–1863
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite and white gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Two Coorgs in their Proper Uniform

Two Coorgs in their Proper Uniform
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Portrait of a Man

Portrait of a Man
Creator:
Archibald Rutherford, 1743–1779
Date:
1774
Materials & Techniques:
Pen and black ink, pen and gray ink, brown wash, gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. George Morland

George Morland
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1780 and 1799
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Studies of a Flower

Studies of a Flower
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 6 3/8 inches (14.9 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

79. Sketch for Dance for the Initiation of a Nymph

Sketch for Dance for the Initiation of a Nymph
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

80. Study of Dancers for the Initiation

Study of Dancers for the Initiation
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

81. Parish Priest

Parish Priest
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 3/8 inches (21.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Mitford Castle, Northumberland

Mitford Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Holy Island and Castle, Northumberland

Holy Island and Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Going to School

Going to School
Creator:
John Augustus Atkinson, 1775–1831
Date:
between 1801 and 1810
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 6 1/8 inches (19.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Design for Funerary Monument

Design for Funerary Monument
Creator:
John Eckstein, 1735–1818
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 6 1/8 inches (24.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Middle Temple Gate

Middle Temple Gate
Creator:
Samuel Ireland, active 1760–died 1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 6 1/4in. (12.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat

Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Girl with Packhorse

Girl with Packhorse
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 13/16 × 4 1/4 inches (7.1 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Musician and Dancer from Bacchantes and Rustic Nymphs

Musician and Dancer from Bacchantes and Rustic Nymphs
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 6 3/8 inches (20.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

94. Study of a Calf

Study of a Calf
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Procession in a Church

Procession in a Church
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and black ink with gouache and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/4 inches (10.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Landscape near Watford, Herfordshire

Landscape near Watford, Herfordshire
Creator:
Anthony Devis, 1729–1817
Date:
undated
Materials & Techniques:
Watercolor, black chalk, and pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 6 3/8 inches (11.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Monument: Peace seated upon an urn, a man with drawn sword standing on the base of the monument

Monument: Peace seated upon an urn, a man with drawn sword standing on the base of the monument
Creator:
John Devoto, active 1708–1752
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 6 1/4 inches (24.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Fort Candelaria, Tenerife

Fort Candelaria, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Peasant of Miradero, Tenerife

Peasant of Miradero, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
between 1823 and 1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 1/8 inches (22.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Natives of La Palma

Natives of La Palma
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/8 inches (20.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection