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1. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The North-West Porch of Salisbury Cathedral

The North-West Porch of Salisbury Cathedral
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 11 5/8 inches (35.2 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window

Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1832
Materials & Techniques:
Pen and black and violet ink with purple wash and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 16 5/16 inches (27.3 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Trees in the Villa Negroni Planted by M. Angelo

Trees in the Villa Negroni Planted by M. Angelo
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. The Facade of the Royal Naval College, Greenwich

The Facade of the Royal Naval College, Greenwich
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Plan and View of a Cave, Temple, or Tomb

Plan and View of a Cave, Temple, or Tomb
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View and Plan of the Theater of Hierapolis (now Pamukkale)

View and Plan of the Theater of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/8 x 14 15/16 inches (54.3 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Ruines à Troye

Ruines à Troye
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Unfinished View of the Palatine in Rome

Unfinished View of the Palatine in Rome
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of Ruins at Tivoli

View of Ruins at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of the Ruined Baths at Hadrian's Villa at Tivoli

View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Aquedotto Angolare

Aquedotto Angolare
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plan and View of the Third Theater at Laodicea

Plan and View of the Third Theater at Laodicea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 14 7/8 inches (54.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Reconstruction of the Proscenium of the Theater at Hierapolis

Reconstruction of the Proscenium of the Theater at Hierapolis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The South View of Berwick Upon Tweed

The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Chimney piece in King James's Room, Hatfield House

Chimney piece in King James's Room, Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath

View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Interior View of the hall at Longleat; the Seat of the Marquis of Bath

Interior View of the hall at Longleat; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Interior View of the Hall at Rushton

Interior View of the Hall at Rushton
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. South East View of Wilton House

South East View of Wilton House
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Porch at Wilton House designed by Hans Holbein

Porch at Wilton House designed by Hans Holbein
Creator:
John Buckler FSA, 1770–1851
Date:
1804
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Vestibule at Newby Hall

Vestibule at Newby Hall
Creator:
John Buckler FSA, 1770–1851
Date:
1813
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham

The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Cobham Hall, Kent: Plan of Stables

Cobham Hall, Kent: Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on two joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 34 x 34 inches (86.4 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Group of Men on Westminster Pier

A Group of Men on Westminster Pier
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1752
Materials & Techniques:
Watercolor, pen and black ink over graphite on medium, moderatelty textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 6 5/8 inches (9.2 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Enter Malvolio, Crossgartered...

Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Design for Grosvenor Bridge, Chester

Design for Grosvenor Bridge, Chester
Creator:
Thomas Harrison, 1744–1829
Date:
ca. 1825
Materials & Techniques:
Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Castle Acre Priory

Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Thaxted Church, Essex

Thaxted Church, Essex
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Gateway of Lancaster Castle

The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Interior of the Great Mosque, (Ulucami) Bursa, Turkey

Interior of the Great Mosque, (Ulucami) Bursa, Turkey
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1840 and 1841
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 17 inches (27.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Beauvais

Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Ruined Abbey

Ruined Abbey
Creator:
Thomas Crofton Croker, 1798–1854
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

51. Change

Change
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/16 × 3 3/4 inches (7.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

52. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Ruins of the Basilica of Maxentius in the Roman Forum

Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Gateway to Battle Abbey

Gateway to Battle Abbey
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Design for a Greenhouse at Kew Gardens

Design for a Greenhouse at Kew Gardens
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Hinton St. George, Somerset: Plan of the New Staircase

Hinton St. George, Somerset: Plan of the New Staircase
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 x 13 3/8 inches (55.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. An Indian Tomb

An Indian Tomb
Creator:
George Chinnery, 1774–1852
Date:
between 1803 and 1825
Materials & Techniques:
Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

61. Architectural Caprice

Architectural Caprice
Creator:
Giulio Aristide Sartorio, 1860–1932
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/8 inches (19.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

62. The Claudian Aquaduct, Rome

The Claudian Aquaduct, Rome
Creator:
Francis Towne, 1740–1816
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Winchelsea

Winchelsea
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.

Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Entrance to Burleigh park near Stamford

The Entrance to Burleigh park near Stamford
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Buildwas Abbey, Shropshire

Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Ecclesiastical Ruins beside the Thames (?)

Ecclesiastical Ruins beside the Thames (?)
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Somerset House, the Strand Vestibule

Somerset House, the Strand Vestibule
Creator:
Jean Louis Desprez, 1743–1804
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 31 inches (47.9 x 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View at Malta

View at Malta
Creator:
Charles Dyce, active 1848
Date:
ca. 1849
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. At Pointy

At Pointy
Creator:
Samuel Davis, 1760–1819
Date:
1788
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 9 3/16 inches (18.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Ladies Beside a Column and Arcade

Ladies Beside a Column and Arcade
Creator:
Anthony Highmore, 1719–1799
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and black ink, and graphite on medium, bmoderately textured, cream laid paper
Dimensions:
Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Views in the Levant: Landscape with Arched Bridge in Left Foreground and Town on Horizon

No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 12 1/2 inches (20.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Castle at Dieppe, Normandy

No cover image available
Creator:
John William Upham, 1772–1828
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 11/16 x 21 3/4 inches (42.4 x 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

No cover image available
Creator:
Robert Frank Atkinson, 1869 or 1871–1923
Date:
ca. 1911
Materials & Techniques:
Pen and black ink, brown ink, and graphite on thick, moderately textured, cream board
Dimensions:
Sheet: 18 1/4 × 11 1/2 inches (46.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse