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Materials & Techniques black ink
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1
- The Capo Sant' Angelo, Amalfi
- ca. 1885
2
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
3
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
4
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
5
- Jerusalem, Plate 51
- 1804 to 1820
6
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
7
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
8
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
9
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
10
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
11
- Plan and View of a Cave, Temple, or Tomb
- ca. 1750
12
- Views in the Levant: The Sacred Cave of Archidamus
- ca. 1785
13
- Lion Attacking a Stag
- undated
14
- A Lion Standing over a Wounded Leapard
- undated
15
- Coast Scene near Plymouth
- undated
16
- Prospero Summoning Ariel
- ca. 1800
17
- Lot Fleeing Sodom
- undated
18
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
19
- Shipping off Staffa
- 1842
20
- Alcibiades and Timon
- ca. 1805
21
- Prospero and Miranda
- 1781
22
- A Tiger Lying in the Entrance of a Cave
- 1796
23
- The Three Witches from Macbeth: Double, Double, Toil and Trouble
- 1781
24
- The Apparition of the Armed Head: Macbeth
- ca. 1781
25
- Sacred Cave of Archidamus
- undated
26
- View and Plan of the Grotto of Gethsemene
- ca. 1750