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1
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
2
- Negadeh
- 1867
3
- Near Aswan
- 1867
4
- Gebel Sheikh Eredi
- 1867
5
- Abu Seer
- 1867
6
- Abu Seer
- 1867
7
- Near Daboad
- 1867
8
- River pass, between barren rock cliffs
- 1867
9
- Abydos, 1:00 pm, 12 January 1867 (134)
- 1867
10
- Karnak, 9:30 pm, 22 January 1867 (212)
- 1867
11
- El Areesh (Torrens Ægypti)
- 1867
12
- Near Gezir Shendowiel
- 1867
13
- Karnak, 10:00 pm, 22 January 1867 (213)
- 1867
14
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
15
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
16
- The Capo Sant' Angelo, Amalfi
- ca. 1885
17
- Bavella, Corsica
- ca. 1868
18
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
19
- Abraham and Isaac
- 1799 to 1800
20
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
29
- Jerusalem, Plate 100
- 1804 to 1820
30
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
31
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
32
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
33
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
34
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
35
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
36
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
37
- Jerusalem, Plate 43, "They saw their Wheels...."
- 1804 to 1820
38
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
39
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
40
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
41
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
42
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
43
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
44
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
45
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
46
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
47
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
48
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
51
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
52
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820
53
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
54
- Jerusalem, Plate 5, "The banks of the Thames...."
- 1804 to 1820
55
- Jerusalem, Plate 65, "To decide Two Worlds...."
- 1804 to 1820
56
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
57
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
58
- Jerusalem, Plate 82, "I have heard Jerusalems groans...."
- 1804 to 1820
59
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
60
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
61
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
62
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
63
- Street Scene at Stratford by Bow
- undated
64
- A Seascape
- undated
65
- A Squall off a Mountainous Coast
- undated
66
- The River Avon: with Passing Vessels
- 1785
67
- The Ranger, Private Ship of War, with her Prizes
- 1780
68
- View Near Arundel Castle
- 1823 and 1874
69
- View at Swiss Cottage, London
- 1836
70
- The Rialto
- 1846
71
- Rochester, Kent: from the North
- ca. 1790
72
- Kirkstall Abbey from the N.W
- ca. 1792
73
- The New Walk, York
- ca. 1798
74
- Royal Botanic Gardens, Kew: Design for Interior of a Mosque
- ca. 1761
75
- Courtyard of an Inn on the Thames
- undated
76
- Shipping off Staffa
- 1842
77
- Landscape with Trees
- undated
78
- The Tithe Barn at Abbotsbury with the Abbey on the hill..
- ca. 1795
79
- Windmill
- undated
80
- Travelling Palanquins
- ca. 1800
81
- Pluscardine Abbey, Elgin
- ca. 1793
82
- Denbigh Castle
- ca. 1793
83
- Lincoln Cathedral
- ca. 1795
84
- View of the Market Place at Juliers in Westphalia
- 1791
85
- Dunkerswell Abbey, August 20, 1783
- 1783
86
- Landscape after Wynants (in the Louvre)
- undated
87
- The North-West Porch of Salisbury Cathedral
- 1832
88
- Study for Fishermen and Bathers
- ca. 1951
89
- Views in the Levant: Temple Ruins at Paestum
- ca. 1785
90
- Powerstock Castle
- ca. 1945
91
- A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
- ca. 1775