Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
2
Edward Lear, 1812–1888
Near Mesghouneh
1867
3
Edward Lear, 1812–1888
Howatke
1867
4
Edward Lear, 1812–1888
Beni Eddeir
1867
5
Edward Lear, 1812–1888
Lago di Como, Brienno?
1867
6
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
7
George Romney, 1734–1802
Sketches for Languid and Prostrate Figures
undated
8
George Romney, 1734–1802
Two studies for a male portrait
undated
9
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
12
Henry Swinburne, 1743–1803
Brindisi, Seen From the Bridge on the Via Traiana
1777 to 1778
13
Henry Swinburne, 1743–1803
Pietra Mala
1777 to 1778
14
Henry Swinburne, 1743–1803
Welden, Germany
1779
15
Henry Swinburne, 1743–1803
Dieppe
undated
16
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
17
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
18
Thomas Stothard, 1755–1834
Study of Caryatides for Statue of Sir Thomas of Monro
1806
19
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
20
Thomas Barker, 1769–1847
Man Leading a Horse
undated
21
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
22
Theodore Wilkens, c. 1690–1748
Figures by a Ruined Temple on a Rocky Promontory
1739
23
Benjamin West, 1738–1820
The Three Marys
1783
24
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
25
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
26
Walter Greaves, 1846–1930
The Old Black Lion, Chelsea
undated
27
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
28
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
29
Frederick Calvert, ca. 1785–1845
Ryde, Isle of Wight
undated
30
Frederick Calvert, ca. 1785–1845
The Needles, Isle of Wight
undated
31
Frederick Calvert, ca. 1785–1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
32
Isaac Oliver, ca. 1565–1617
Leda and the Swan
undated
33
Philippe-Jacques de Loutherbourg, 1740–1812
A Bull Charging
1794
34
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
35
Charles Tomkins, 1757–1823
Ealing House, Middlesex
undated
36
Sir James Thornhill, 1675–1734
Design for a Ceiling Decoration (with a Parrot)
undated
37
Robert Turner, active 1844
Mountebank, 1844
1844
38
Thomas Rowlandson, 1756–1827
Portrait of a Bearded Man
undated
39
Thomas Rowlandson, 1756–1827
A Village Fountain
undated
40
Thomas Rowlandson, 1756–1827
Francesco Bartolozzi
ca. 1815
41
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
42
Sawrey Gilpin, 1733–1807
Coat of Arms flanked by a Unicorn and Lion
undated
43
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
44
Francis Towne, 1740–1816
A Bridge Between Florence and Bologna
1781
45
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
46
Sawrey Gilpin, 1733–1807
Skeletal Drawing, and Leg Studies, of Cattle
undated
47
Walter Richard Sickert, 1860–1942
Cafe Concert, Dieppe
ca. 1920
48
Augustus Edwin John, 1878–1961
Standing Female Nude Seen from Behind
undated
49
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
50
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
51
Comte Alfred d' Orsay, 1801–1852
Portrait of James Sheridan Knowles
1839
52
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
53
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
54
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
55
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
56
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
57
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
58
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
59
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
60
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
61
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
62
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
63
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
64
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
65
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
66
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
67
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
68
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
69
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
70
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
71
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
72
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
73
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
74
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
75
Mrs. P. D. H. Page, 20th century
Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
undated
76
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
77
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1831
78
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
79
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
80
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
81
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
82
Sir Francis Grant, 1803–1878
Study of a Hound, Running
undated
83
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
84
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
85
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
86
Martin Hardie, 1875–1952
A Street in Asiago
1918
87
Giulio Aristide Sartorio, 1860–1932
Study of a Crouching Woman
undated
88
James Pattison Cockburn, 1779–1847
Hall in a Gothic Mansion
ca. 1832
89
Benjamin West, 1738–1820
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
90
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
91
unknown artist
Sheet of Composition Studies of River Scenes
after 1816
92
George Chinnery, 1774–1852
Old Man and Children Seated, Cooking
1840
93
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
94
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
95
Thomas Rowlandson, 1756–1827
The Riding School
undated
96
Thomas Rowlandson, 1756–1827
Dr. Syntax Visits a Boarding School for Young Ladies