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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1817
Remove constraint Date: 1817Search Results
1
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
2
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
3
- Hogarth Declaring His Love to Miss Thornhill
- 1817
4
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
5
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
6
- The Smock Exposed
- 1817
7
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
8
- The Reconcilation
- 1817
9
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
10
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
11
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
12
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
13
- Honey-Badger
- 1817
14
- North American Lynx
- ca. 1817
15
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
16
- Interior of the Belfry, Bushey Church
- ca. 1822
17
- Study of a Woman with her Head on her Hand
- undated
18
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
19
- South East View of the Church and Palace at Croydon, Surrey
- 1817
20
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
21
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
22
- Hogarth Drawing Sarah Malcolm
- 1817
23
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
24
- Hogarth Sitting to Roubiliac for His Bust
- 1817
25
- Buildings Belonging to Magdalen Hall, Oxford
- undated
26
- Regent Street, Looking Toward Piccadilly From Waterloo Place
- undated
27
- Original Drawings Illustrating the Life of Hogarth by J. T. Smith
- 1817
28
- A Tub Thumper
- between 1817 and 1820
29
- Courtyard of an Inn on the Thames
- undated
30
- Landscape with Windmills
- undated
31
- Landscape with a Temple and Figures by a River
- undated
32
- Valley of Rocks, Lynton, North Devon
- undated
33
- Cascatella, Tivoli, 1817
- 1817
34
- Near the Scuola de Virgilio
- 1817
35
- The Family Picture
- 1817
36
- Sportsman and Two Dogs
- undated
37
- Huntsman with Hounds
- undated
38
- An Irish Wolfhound
- undated
39
- The Vicar of Wakefield: Frontispiece
- 1817
40
- Plymouth Dock
- 1817
41
- Sir Massey Storey Cooking the Turtle
- undated
42
- Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
- 1817
43
- Mr. Michell's Picture Gallery, Grove House, Enfield 1817
- 1817
44
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
45
- After Pinnelli - Group of Peasants Outside a Church
- 1817
46
- Near Gravesend from the High Road
- 1817