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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 20
Remove constraint Height [cm]: 20Search Results
1
- Cornfields with Barn, Shoreham
- ca. 1829
2
- Raglan Castle
- 1816
3
- East Gate, Winchelsea, Sussex
- 1819
4
- Dumbarton Rock
- between 1813 and 1823
5
- Dumbarton Rock
- between 1813 and 1823
6
- Dumbarton Rock
- between 1813 and 1823
7
- The Deluge
- between 1813 and 1823
8
- Mt. St. Gothard
- 1808
9
- Ships in a Breeze
- 1808
10
- Ships in a Breeze
- 1808
11
- Lake of Thun, Switzerland
- 1808
12
- The Fifth Plague of Egypt
- 1808
13
- Lauffenbourgh on the Rhine
- 1811
14
- The Deluge
- between 1813 and 1823
15
- Dumbarton Rock
- between 1813 and 1823
16
- Martello Towers near Bexhill, Sussex
- 1811
17
- Lauffenbourgh on the Rhine
- 1811
18
- Morpeth, Northumberland
- 1809
19
- Ships in a Breeze
- 1808
20
- The Castle above the Meadows
- 1808
21
- The Woman and Tambourine
- 1807
22
- A Seated Woman
- early 1770s
23
- Scene of a Bacchanalia
- undated
24
- Pan and Syrinx
- 1896
25
- Pan and Syrinx
- 1896
26
- Narcissus and Echo
- 1896
27
- Kingston Bank
- 1896
28
- View of a Lake, Derwentwater
- 1891
29
- View of a Lake, Derwentwater
- 1896
30
- Kingston Bank
- 1896
31
- A Pastoral
- 1893
32
- A Pastoral
- 1896
33
- Fishing Smacks
- undated
34
- Two Tree Creepers
- undated
35
- Part of the Molding at Temple of Minerva
- 1802-1804
36
- Under Moldings of the Cornice at the Temple of Minerva
- 1802-1804
37
- Moldings on the Temple of Minerva
- 1802-1804
38
- Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea
- 1802-1804
39
- Sketches of Buildings in Vicenza
- 1802-1804
40
- Palazzo Thiene Bonin Longare
- 1802-1804
41
- View of a Valley with Ruins at Sardis
- ca. 1750
42
- Pianura dell'Hermo in Faccia a Sardes
- ca. 1750
43
- Reconstruction of the Second Theatre at Laodicea
- ca. 1750
44
- View of Micale Promontorio
- ca. 1750
45
- Samos
- ca. 1750
46
- Plan of the Port of Sigacik (ancient Teos)
- ca. 1750
47
- View of a Long Aqueduct
- ca. 1750
48
- View of Maglova Aqueduct
- ca. 1750
49
- Untitled
- undated
50
- Figure Studies of the Virgin Mary
- undated
51
- Study of Women's Hairstyles
- undated
52
- Study For, Christ's Entry into Jerusalem
- 1810 to 1820
53
- Studies of the Face of Jesus
- undated
54
- Gondola and House: Venice
- undated
55
- London Cries: "Do You Want any Spoons..."
- ca. 1759
56
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
57
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
58
- Whampoa and the Canton River
- 1845
59
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
60
- The Smock Exposed
- 1817
61
- The Reconcilation
- 1817
62
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
63
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
64
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
65
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
66
- Beach Scene
- undated
67
- Foxhunting: Rider, Taking a Fence
- undated
68
- Riders and Hounds in an Open Landscape
- undated
69
- The Earthquake Scare in Piccadilly
- 1750
70
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
71
- Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
- undated
72
- An Indoor Military Riding School With an Instructor Teaching Recruits to Trot
- undated
73
- The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
- 1872
74
- The Horse Guards From the Bridge, St. James's Park
- 1833
75
- View of a Park with Deer
- undated
76
- A Travelling Coach and Pair
- undated
77
- Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
- 1796
78
- Tattersall's Training School
- 1771
79
- "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
- undated
80
- "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
- undated
81
- "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
- undated
82
- Two Horses Racing, Jockeys Up: Railings in the Background
- undated
83
- Edward Hawke, 1st Baron Hawke
- 1796
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/3f3e6576-6c47-4043-9971-3eb71f1989ea)
84
- [One from] A Volume of Drawings and Prints
- undated
85
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
86
- The Adoration
- 1723
87
- Study of the Front of a Horse
- undated
88
- A Native of Madagascar
- undated
89
- Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
- undated
90
- View of Part of Chowringhee - Calcutta
- between 1833 and 1838
91
- Tournon Opposite to Teint on the Rhone
- ca. 1780
92
- A View from Peterborough Tower at Tangier
- 1669
93
- Girl and Boy Anglers
- 1791
94
- The Banishment of Aristides
- undated
95
- Study for the Head of Christ and an Apostle
- undated
96
- Honey-Badger
- 1817
97
- Canis Lupus, or Gray Wolf
- undated
98
- A Tudor Manor House and Church
- 1625
99
- Falstaff in the Boar's Head
- 1807
100
- Simon Eady of Northhampton, Opener of the Gospel
- undated