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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 20
Remove constraint Height [cm]: 20Search Results
1
- Cornfields with Barn, Shoreham
- ca. 1829
2
- East Gate, Winchelsea, Sussex
- 1819
3
- The Deluge
- between 1813 and 1823
4
- Mt. St. Gothard
- 1808
5
- Lake of Thun, Switzerland
- 1808
6
- Dumbarton Rock
- between 1813 and 1823
7
- Dumbarton Rock
- between 1813 and 1823
8
- Dumbarton Rock
- between 1813 and 1823
9
- Ships in a Breeze
- 1808
10
- Ships in a Breeze
- 1808
11
- The Fifth Plague of Egypt
- 1808
12
- Lauffenbourgh on the Rhine
- 1811
13
- The Deluge
- between 1813 and 1823
14
- Dumbarton Rock
- between 1813 and 1823
15
- Lauffenbourgh on the Rhine
- 1811
16
- Ships in a Breeze
- 1808
17
- The Castle above the Meadows
- 1808
18
- The Woman and Tambourine
- 1807
19
- Martello Towers near Bexhill, Sussex
- 1811
20
- Morpeth, Northumberland
- 1809
21
- A Seated Woman
- undated
22
- Part of the Molding at Temple of Minerva
- 1802-1804
23
- View of a Valley with Ruins at Sardis
- ca. 1750
24
- Narcissus and Echo
- 1896
25
- A Pastoral
- 1893
26
- A Pastoral
- 1896
27
- View of a Lake, Derwentwater
- 1891
28
- View of a Lake, Derwentwater
- 1896
29
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
30
- The Smock Exposed
- 1817
31
- The Reconcilation
- 1817
32
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
33
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
34
- Study of the Front of a Horse
- undated
35
- Tournon Opposite to Teint on the Rhone
- ca. 1780
36
- A View from Peterborough Tower at Tangier
- 1669
37
- The Banishment of Aristides
- undated
38
- Honey-Badger
- 1817
39
- Canis Lupus, or Gray Wolf
- undated
40
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
41
- The Long Minuet as Danced at Bath
- after 1787
42
- Studies of Anatomy, Measurements and Writing
- undated
43
- Fisherman's Quarters, Robin Hood's Bay
- undated
44
- Lady and Cockatoo
- undated
45
- Old London, View from St. James Park Looking East
- undated
46
- Simon Eady of Northhampton, Opener of the Gospel
- undated
47
- Design for a Lunette
- undated
48
- Girl and Boy Anglers
- 1791
49
- Study for the Head of Christ and an Apostle
- undated
50
- A Tudor Manor House and Church
- 1625
51
- Design for a blacksmith's shop
- between 1780 and 1790
52
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
53
- The Adoration
- 1723
54
- Falstaff in the Boar's Head
- 1807
55
- Gondola and House: Venice
- undated
56
- Whampoa and the Canton River
- 1845
57
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
58
- Landscape with a Milk Maid and a Beau
- undated
59
- Dutch Shipping
- undated
60
- Beach Scene
- undated
61
- Church and Cottages
- undated
62
- London Cries: A Muffin Man
- ca. 1759
63
- London Cries: "Do You Want any Spoons..."
- ca. 1759
64
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
65
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
66
- View of Part of Chowringhee - Calcutta
- undated
67
- Two Tree Creepers
- undated
68
- Portrait Study of John Philip Kemble
- undated
69
- Loading a Cart for Market
- undated
70
- Horseman fleeing storm
- undated
71
- Country House
- ca. 1797
72
- A Poacher in Custody
- undated
73
- Landscape with a Bridge
- 1790 to 1795
74
- Two Women Talking to a Man at a Counter
- undated
75
- Port Mahon
- between 1756 and 1773
76
- Merchant Ship off Shore
- undated
77
- Foxhunting: Rider, Taking a Fence
- undated
78
- Riders and Hounds in an Open Landscape
- undated
79
- The Earthquake Scare in Piccadilly
- 1750
80
- View of a Park with Deer
- undated
81
- A Travelling Coach and Pair
- undated
82
- Tattersall's Training School
- 1771
83
- "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
- undated
84
- "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
- undated
85
- "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
- undated
86
- Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
- undated
87
- Fives played at the Tennis court Leicester Fields
- ca. 1784
88
- Cricket played by the Gentlemens Club, Whiteconduit House
- 1784
89
- Trap Ball Played at the Black Prince, Newington, Butts
- ca. 1784
90
- Four Corners Played at the Swan, Chelsea
- ca. 1784
91
- Entrance to the House of Lords
- 1796
92
- Foot Ball played at Market Place, Barnet
- ca. 1784
93
- Coits Played opposite the Horns, Kennington Common
- ca. 1784
94
- Falls on the River Conwy, North Wales
- undated
95
- Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
- 1796
96
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
97
- Two Horses Racing, Jockeys Up: Railings in the Background
- undated
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/3f3e6576-6c47-4043-9971-3eb71f1989ea)
98
- [One from] A Volume of Drawings and Prints
- undated
99
- An Indoor Military Riding School With an Instructor Teaching Recruits to Trot
- undated
100
- The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
- 1872