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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 9
Remove constraint Height [cm]: 9Search Results
1
- First Design of a Battle Scene
- undated
2
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
3
- Study of Abraham Being Tested by God
- undated
4
- Study of Armored Knights in Battle with Horses
- undated
5
- Lozère Near Montpellier
- undated
6
- Saint-Hilaire, Bord du Loiret
- undated
7
- Castle of Elmo &c
- 1777 to 1778
8
- Blois Cathedral, France
- undated
9
- Castle of Blois, France
- undated
10
- Château de Menars
- undated
11
- Ducal Palace of Urbino in Marche, Italy
- 1777 to 1778
12
- Landscape VIew of a Catle on a Hill
- 1775 to 1776
13
- Near Campo Lautrecco, Naples
- 1777 to 1778
14
- Tynemouth from the Spanish Fort
- undated
15
- Lazzaretto
- undated
16
- Borrodale, Scotland
- undated
17
- Bord du Loiret
- undated
18
- Wooded Clearing, with a River Landscape and Cottage
- undated
19
- Ruined Church near Blois
- undated
20
- Palais Gallien
- undated
21
- Mountains of Bagneres-de-Bigorre
- undated
22
- Aquillon
- undated
23
- Landscape, with River and Church in the Distance
- undated
24
- Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
- undated
25
- Seashore with Two Figures and a Distant Town
- undated
26
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
27
- Study of a Semi-Nude Woman, Sitting, with Her Arms Raised Over Her Head
- undated
28
- Thomas Palmer
- 1813
29
- Study of Two Children
- undated
30
- Study of Seated Figures
- undated
31
- Portrait Study
- undated
32
- Study of Christ Raising Lazarus
- undated
33
- Study For, Christ's Entry into Jerusalem
- 1814 to 1820
34
- Study For, Christ's Entry into Jerusalem
- 1814 to 1820
35
- Study For, Christ's Entry into Jerusalem
- 1810 to 1820
36
- Study For, Christ's Entry into Jerusalem
- 1810 to 1820
37
- Study of Figures Sitting Under a Tree
- 1806
38
- Study of a Nude Male
- undated
39
- Study for Figures Sitting
- undated
40
- Study of a Figure
- undated
41
- Great Oakley Hall, Northamptonshire
- ca. 1840
42
- View Near Arundel Castle
- 1823 and 1874
43
- Allegory of Sea Trades
- undated
44
- Picking Mulberries
- undated
45
- A Camel Resting, Side View to the Right
- ca. 1856
46
- An Elephant
- ca. 1856
47
- A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right
- ca. 1850
48
- A Polar Bear, Asleep, Front View
- ca. 1856
49
- A Hare Running, with Ears Laid Back
- undated
50
- A Man throwing a Ball to a Dog
- undated
51
- A Dangerous Leap
- ca. 1850
52
- Pigs at a Trough
- ca. 1790
53
- A Tug Vessel
- undated
54
- In Portsmouth Harbor
- undated
55
- A Brig at Anchor, Trees Beyond
- undated
56
- Chile Skunk
- ca. 1837
57
- Landscape with Tower and Approaching Storm
- undated
58
- Burial of Sarah
- 1833
59
- The Rescue of Lot
- 1833
60
- The Walls of Jericho
- 1834
61
- Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
- ca. 1779
62
- Design for a Chimneypiece
- undated
63
- Kingston Lacy, Dorset
- undated
64
- Manuscript: Greenwich, A Town in Kent
- undated
65
- Marine sketch
- 1792
66
- Studies of facial features of a horse
- undated
67
- A Dead Horse on a Knacker's Cart
- undated
68
- A Black Leg Detected Secreting Cards (a Study)
- undated
69
- A ruin fantasy
- undated
70
- Observers on a Hill Overlooking the Sea
- undated
71
- Constructing a Fort
- undated
72
- A Group of Trees
- undated
73
- Fisherman by a River
- undated
74
- River and Mountain, with Ruins
- between 1750 and 1759