Materials & Techniques: brown ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 25

1. A Recollection of the New R.A.

Creator:: John Constable, 1776–1837
Date:: 1837
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Gozo, near Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen in brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 5/16 x 9 3/4 inches (16 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Figure Studies of a Group of People in a Wooded Clearing

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown inki, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 5 1/2 inches (7.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. First Design of a Battle Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Study of Abraham Being Tested by God

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 11/16 × 2 9/16 inches (9.4 × 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Image: 4 3/4 × 3 1/2 inches (12.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Studies from Cotton MSS Nero

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. figure Studies for Medieval Noble Life

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 5/16 inches (23.2 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lady Jane Grey

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Gouache, oil, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Landscape, With Windmills, and a Town in the Horizon

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Moonlight on the Medway at Chatham

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Citadel of Montpellier, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Ancient Inscription in the Post House at Argos

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Top Portion of a Pillar

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Temple Near the Site of Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Sketch of the Molding of the Interior of the Propylaea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink and graphite on thin, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 × 9 13/16 inches (38.3 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Fragment of a Doric Cornice Among the Ruins of Eleusis

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, black ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 11/16 inches (38.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and black ink, brown ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 9 11/16 inches (38.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Two Jeyties Fighting

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: ca. 1792
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Seymour Lodge, 12 July 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Church Interior

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Beach Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Three Cart-Horses in Traces

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 9 7/8 inches (11.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Racing: a Match in Progress

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hare Hunting

Creator:: Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Vauxhall Stairs, from Millbank, July 5, 1797

Creator:: Francis Towne, 1740–1816
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Chatsworth House, Derbyshire

Creator:: William Henry Bartlett, 1809–1854
Date:: between 1823 and 1830
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sketches of a Hare, Horse, Stag, Man and Woman

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 5/8 inches (33.3 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Centaur Nessus Carrying off Deianira

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 1/2 x 12 3/16 inches (44.4 x 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two Prize Fighters

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1742
Materials & Techniques:: Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/2 × 10 inches (24.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Part of the Bay of Gibraltar, the Spanish Lines

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Tournon Opposite to Teint on the Rhone

Creator:: Mary Harcourt, 1750–1833
Date:: ca. 1780
Materials & Techniques:: Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Regency Pair: Man with Walking Stick

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 10 inches (29.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Landscape with Gorge and Cattle

Creator:: Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink over graphite; verso: pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Design for Love's Labour's Lost

Creator:: Thomas Grieve, 1799–1882
Date:: 1839
Materials & Techniques:: Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Venetian Scene

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 x 9 15/16 inches (6.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Thatched Cottage near Henley

Creator:: John Baverstock Knight, 1785–1859
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Falstaff in the Boar's Head

Creator:: Robert Smirke, 1752–1845
Date:: 1807
Materials & Techniques:: Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen iand brown ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plan of upright of the semi circular Exedra of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Order of the two courts of the Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Bachelor's Hall

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Women in "Old Italian Costume - Naples"

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite, pen and brown ink and watercolor on medium, slightly textured, light blue, wove paper
Dimensions:: Sheet: 8 1/4 × 9 13/16 inches (21 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Tenby

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Loading Sacks into a Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Lambeth from York House

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink; verso: graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 13/16 × 9 11/16 inches (9.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Diana Fountain, Bushy Park: Original Design

Creator:: Edward Pierce, c.1630–1695
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 19 9/16in. (38.1 x 49.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sketch for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Design for Wall Paper

Creator:: unknown artist
Date:: ca. 1760
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 3/4 inches (17.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Scene at Windsor

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Sheet of Classical Figure Studies

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on moderately thick, moderately textured beige laid paper and moderately thick, slightly textured, beige wove paper mount
Dimensions:: Sheet: 8 3/8 x 6 3/4 inches (21.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Henry Angelo and Madame Cain Fencing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Christ Disputing with the Elders in the Temple

Creator:: Louis Laguerre, 1663–1721
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Pevensey Castle, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Isola Bella, Lago Maggiore

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques brown ink

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 25

Search Results

1. A Recollection of the New R.A.

2. Benjamin Read

3. The Stork and Aqueduct

4. Ship and Cutter

5. The Straw Yard

6. The Straw Yard

7. The Bridge and Goats

8. The Stork and Aqueduct

9. The Straw Yard

10. High Street, Edinburgh

11. Gozo, near Malta

12. Albania

13. Figure Studies of a Group of People in a Wooded Clearing

14. First Design of a Battle Scene

15. Study of Abraham Being Tested by God

16. Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed

17. Studies from Cotton MSS Nero

18. figure Studies for Medieval Noble Life

19. Lady Jane Grey

20. Scene from Don Quixote

21. Landscape, With Windmills, and a Town in the Horizon

22. The Stork and Aqueduct

23. The Stork and Aqueduct

24. Moonlight on the Medway at Chatham

25. Huntsmen in a Wood

26. Cat Like Courtship

27. Citadel of Montpellier, France

28. Ancient Inscription in the Post House at Argos

29. Top Portion of a Pillar

30. Temple Near the Site of Ancient Phigalia

31. Sketch of the Molding of the Interior of the Propylaea

32. Fragment of a Doric Cornice Among the Ruins of Eleusis

33. The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum

34. The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum

35. Two Jeyties Fighting

36. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

37. Seymour Lodge, 12 July 1826

38. Church Interior

39. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

40. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

41. Hogarth Declaring His Love to Miss Thornhill

42. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

43. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

44. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

45. The Smock Exposed

46. The Reconcilation

47. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

48. Hogarth Drawing Sarah Malcolm

49. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

50. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

51. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

52. Hogarth Sitting to Roubiliac for His Bust

53. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

54. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

55. Beach Scene

56. Three Cart-Horses in Traces

57. Racing: a Match in Progress

58. Hare Hunting

59. Vauxhall Stairs, from Millbank, July 5, 1797

60. Chatsworth House, Derbyshire

61. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

62. Tattersall's Training School

63. Sketches of a Hare, Horse, Stag, Man and Woman

64. Dr. John Fothergill

65. [One from] A Volume of Drawings and Prints

66. [One from] A Volume of Drawings and Prints

67. The Centaur Nessus Carrying off Deianira

68. Two Prize Fighters

69. The 48th Regiment with Casemate, Gibraltar

70. Part of the Bay of Gibraltar, the Spanish Lines

71. Tournon Opposite to Teint on the Rhone

72. A Regency Pair: Man with Walking Stick

73. Landscape with Gorge and Cattle