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Materials & Techniques brown ink

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On-site Access Accessible by appointment in the Study Room

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Date 1822

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Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
William Henry Hunt A Dead Hare and a Cooked Lobster on a Bench
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
Henry Morton St. Thomas' Church, Winchelsea
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
Thomas Henry Wyatt Design for St. David, Pantasaph, Flintshire. East Elevation
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation
undated
Sir David Wilkie Two Riders Seen from Behind, Oct. 10, 1822
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
John Sell Cotman Coast Scene with a Castle
imitator of John Sell Cotman, 1782–1842
Coast Scene with a Castle
ca. 1827
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822